7.2/10
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346 user 218 critic

Black Christmas (1974)

During their Christmas break, a group of sorority girls are stalked by a stranger.

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2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Marian Waldman ...
...
James Edmond ...
...
Sargeant Nash (as Douglas McGrath)
...
...
...
Patrick
Leslie Carlson ...
Graham (as Les Carlson)
Martha Gibson ...
Mrs. Quaife
John Rutter ...
Laughing Detective
Robert Warner ...
Doctor
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Storyline

It's time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don't express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem? Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

Black Christmas will ROCK you too! See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

20 December 1974 (USA)  »

Also Known As:

Black Christmas  »

Box Office

Budget:

$620,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

In 1986, Olivia Hussey met producers for the film Roxanne (1987), since they were interested in casting her for the title role. Roxanne co-star Steve Martin met her and said "Oh my God, Olivia, you were in one of my all time favorite films." Thinking it was Romeo and Juliet (1968), Olivia was surprised to find out it was actually Black Christmas (1974). Martin claimed he had seen it around 27 times. See more »

Goofs

When Claire Harrison enters her room there's no Christmas decoration on the door. Afterwards a bow shows up on the same door. See more »

Quotes

Barb: [on phone] You're a real gold-plated whore, mother, you know that?
See more »

Crazy Credits

A telephone is continously ringing throughout the final credits. See more »

Connections

Referenced in Behind the Mask: The Rise of Leslie Vernon (2006) See more »

Soundtracks

Jingle Bells
by James Pierpont (uncredited)
Jingle Bells and Choral Effects performed by the Counterpoint Singers
Conducted by Paul Feheley
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The original and perhaps the best slasher film ever made.
28 July 2004 | by (England) – See all my reviews

The girls of a sorority house are being tormented by a twisted prank caller who continually calls to convey increasingly vile and abusive sentiments. What at first appears to be a sick joke eventually turns violent for the girls during the season of supposed goodwill and merriment.

The original and maybe even the best, ‘Black Christmas' set the ball rolling for the slasher genre and was the biggest influence for the phenomenally successful John Carpenter classic, ‘Halloween' (1978), which was, in fact, originally conceived as a sequel. Although Italian director, Mario Bava, had previously created what some see as the first slasher movie, ‘Bay of Blood' (1971), it was ‘Black Christmas' that was to become recognised as the catalyst for one of the most lucrative sub-genres of horror cinema. Bob Clark (who previously made the kooky, enjoyable, low-budget zombie film ‘Children Shouldn't Play With Dead Things' (1972)), still at this point something of an amateur director, took a simple yet naturally frightening concept and turned it into one of the most unsettling and nerve-wracking one hundred minutes in cinematic history. Only a select few films such as ‘The Haunting' (1963) and ‘Alien' (1979) are atmospheric enough to truly equate to the eeriness and feelings of apprehension that are to be induced by ‘Black Christmas'.

The simplicity of the production is what makes it so endearing. There are no overly bloody death sequences or unlikely, comic-book style events; the viewer is just presented with an unnerving tale which could easily have a strong basis in reality. Inventive camerawork and POV shots as well as a superlative use of lighting are the elements that combine to achieve the desired results. The often pseudo-claustrophobic environment of the sorority house, from where the vast majority of events occur, offers the perfect, vulnerable and unguarded location susceptible to intrusion and thus attributes to the continual foreboding atmosphere. Clark was not afraid to take time building both the story and characterisation as well as introduce the viewer to the aspects that he would use to build the suspense. This is prepared before plunging the viewer into a seemingly uncontrolled nightmare that one experiences along with the protagonists. Another aspect that firmly stands out is the mysterious way that everything is presented; even at the very end, very little has truly been explained yet everything seems like it should have an obvious explanation. Even in its undoubted simplicity, ‘Black Christmas' has complicated facets that require thought from the viewer to entirely comprehend the film. In some ways, the concealing of several key points puts the viewer's knowledge of events on a par with the actual characters.

‘Black Christmas' is also complimented wonderfully by strong acting performances from Olivia Hussey, Margot Kidder, John Saxon and a highly pleasant and amusing turn from Marian Waldman. Despite the tiny budget, this is a highly polished horror film that genuinely belongs among the elite of the genre. This is where it all started and those familiar with later slasher films such as ‘Halloween', ‘Friday the 13th' (1980), Slumber Party Massacre (1982) and ‘The House on Sorority Row' (1983) should be able to spot several of the now-clichés that first materialized in ‘Black Christmas'. My rating for ‘Black Christmas' - 8½/10.


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