A woman, a survivor of a failed murder attempt by a person dubbed "The Half-Moon Killer" by the police, and her husband must find the connecting thread between herself, six other women, and... See full summary »
Pier Paolo Capponi
A teacher who is having an affair with one of his students takes her out on a boat. They see a knife killing on shore. Other gruesome murders start occurring shortly thereafter, and the ... See full summary »
A young girl is brutally murdered somewhere in France. Sometime later, the same thing happens to the daughter of a well-known sculptor. This time the parents (the sculptor and his wife) ... See full summary »
A travelling circus in 19th century France adopts and showcases a feral "wolf boy", who grows into adulthood only to kill the one-man band. He runs off to Paris, where he develops a jealous... See full summary »
Not really a Giallo, but still a decent exploitation flick
The Killers Are Our Guests is one of the harder to come by Giallo's, and that isn't surprising as the film doesn't really adhere to the common Giallo plot and themes. The basic plot is more along the lines of an exploitation film, as it features at the centre, people being held captive by criminals in their own home. In fact, I would really hesitate to call this film a Giallo at all; there is not really anything about the film (aside from the title and the fact that it's Italian and was made in the mid seventies) to identify it as a bona fide Giallo. As mentioned, the plot focuses on a couple being trapped inside their own house by a criminal gang. The gang have robbed a bank, but one of them got himself shot, so they decide to hole up at the house of Dr. Guido Malerva so the injured member can get medical attention. However, not everything goes to plan once the gang get to the doctor's house, as things start to fall apart when another gang member, named Eddie, turns up at the doctor's house.
As you've probably guessed, this film doesn't do much for me as a Giallo, but as an exploitation film it's not bad. The interaction between the various lead characters is the film's backbone, and it's fairly interesting - if a little slow. The centrepiece of the action is a lesbian scene, which was by far and away the best moment of the film for me. I think the reason why this scene is in the film is down to the fact that this sort of thing was popular in seventies Italian films (and that's a lot of the reason why seventies Italian films are popular with me!), but even so it works quite well in the context of the movie. The acting is decent enough, with Italian actor Antonio De Teffè leading an experienced line up that includes Margaret Lee (Slaughter Hotel), Luigi Pistilli (Bay of Blood) and Gianni Dei (Giallo a Venezia). Overall, I wont say this obscure film is one of the best films to come out of Italy in the seventies (actually nowhere near), but it's a decent ride and one that I'm sure will be appreciated by anyone inclined to track it down.
5 of 11 people found this review helpful.
Was this review helpful to you?