A beautiful but poor young girl finds all the money and material goods she never had when she becomes the girlfriend of a crime boss, but soon learns that there is a price to be paid for that kind of life.
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Edwige Fenech and Lino Banfi stars in this Italian sex-comedy from Sergio Martino. Mariana (Fenech) and Domenico (Banfi) are on the run from her jealous boyfriend who just happens to be an over-jealous professional football player.
Anna is quiet, living with her parents, cashiering at a café bar in Bergamo. She meets and falls for Guido, a Milanese gangster in town to lie low. He pursues her, but also warns her that he's no good. She goes to Milan with him anyway. When she witnesses a Mob hit, Guido's boss wants her compromised so she will never testify against them: Guido pushes her into prostitution. When she becomes pregnant and Guido wants her to have an abortion, she rebels. Can she escape "the life," or is death the only alternative? What about the child? Written by
While I can't really rave about this move, I also certainly can't say it wasn't interesting. On one hand, it is a typical "poliziani", a hard-boiled and violent Italian crime thriller about Mafia criminals and corrupt or vigilante police, but on the other hand, it is also a women's picture featuring no-clothes-horse Edwige Fenech in one of her more dramatic (as opposed to hysterical) roles.
Fenech plays Anna a young, naive provincial woman who falls in love with a brutal and abusive gangster who, at the behest of his godfather (top-billed Richard Conte)involves her first in smuggling then in prostitution. She tries to leave the life after her mobster hubby goes to prison. She gives birth to a son and falls in love with a respectable doctor, but of course her past soon catches up to her.
This is a rather schizophrenic movie. It is has the typical violence of a poliziani, and Fenech performs her usual quota of nude/sex scenes (the most interesting scene though features not Fenech, but a bizarre stripping clown--that's right, a clown). The ending though is incredibly sappy and tear-jerking. I can't imagine anyone who liked the early part of the movie liking the end and vice versa. I suppose it could be a good date movie for women who want to see Fenech emote and men who want to see Fenech undress (it beats the hell out of a Renee Zellweger romantic comedy, anyway).
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