| Brigitte Mira | ... | Emmi | |
| El Hedi ben Salem | ... | Ali | |
| Irm Hermann | ... | Krista | |
| Elma Karlowa | ... | Mrs. Kargus | |
| Anita Bucher | ... | Mrs. Ellis | |
| Gusti Kreissl | ... | Paula | |
| Doris Mattes | ... | Mrs. Angermeyer (as Doris Mathes) | |
| Margit Symo | ... | Hedwig | |
| Katharina Herberg | ... | Girl in bar | |
| Lilo Pempeit | ... | Mrs. Münchmeyer | |
| Peter Gauhe | ... | Bruno Kurowski | |
| Marquard Bohm | ... | Gruber | |
| Walter Sedlmayr | ... | Angermayer | |
| Hannes Gromball | ... | Waiter | |
| Hark Bohm | ... | Doctor | |
| Rudolf Waldemar Brem | ... | Bar patron | |
| Karl Scheydt | ... | Albert Kurowski | |
| Peter Moland | ... | Chief garage mechanic | |
| Barbara Valentin | ... | Barbara | |
| rest of cast listed alphabetically: | |||
| Helga Ballhaus | ... | Yolanda (uncredited) | |
| Elisabeth Bertram | ... | Frieda (uncredited) | |
| Ingrid Caven | ... | (uncredited) | |
| Rainer Werner Fassbinder | ... | Eugen, Krista's husband (uncredited) | |
| Wolfgang Hess | ... | Ali (voice) (uncredited) | |
| Kurt Raab | ... | Car Mechanic (uncredited) | |
Directed by | |||
| Rainer Werner Fassbinder | |||
Writing credits(in alphabetical order) | ||
| Rainer Werner Fassbinder | ||
Cinematography by | |||
| Jürgen Jürges | |||
Film Editing by | |||
| Thea Eymèsz | (uncredited) | ||
Makeup Department | |||
| Helga Kempke | .... | makeup artist | |
Production Management | |||
| Christian Hohoff | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Rainer Langhans | .... | assistant director | |
Sound Department | |||
| Fritz Müller-Scherz | .... | sound | |
Camera and Electrical Department | |||
| Peter Gauhe | .... | still photographer | |
| Ekkehard Heinrich | .... | lighting technician | |
| Thomas Schwan | .... | assistant camera | |
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| Kings & Queen | Intermission | Giant | The Best of Youth | The Lonely Passion of Judith Hearne |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb West Germany section |
Although ostensibly an attack on prejudice in all its forms this movie is also a pessimistic comment on how Fassbinder saw all relationships as problematic. The couple in this survive society's disapproval and reach a point of co-existence with the world. At this point they are undone form within. Superb performances all round but particularly Briggite Mira as Emmi. Watch out for RWF as her repulsive son-in-law. A great film from a great director.