Ali: Fear Eats the Soul
(1974)
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Ali: Fear Eats the Soul
(1974)
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| Cast overview, first billed only: | |||
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Brigitte Mira | ... |
Emmi
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El Hedi ben Salem | ... | |
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Irm Hermann | ... |
Krista
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Elma Karlowa | ... |
Mrs. Kargus
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Anita Bucher | ... |
Mrs. Ellis
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Gusti Kreissl | ... |
Paula
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Doris Mattes | ... |
Mrs. Angermeyer
(as Doris Mathes)
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Margit Symo | ... |
Hedwig
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Katharina Herberg | ... |
Girl in bar
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Lilo Pempeit | ... |
Mrs. Münchmeyer
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Peter Gauhe | ... |
Bruno Kurowski
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Marquard Bohm | ... |
Gruber
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Walter Sedlmayr | ... |
Angermayer
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Hannes Gromball | ... |
Waiter
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Hark Bohm | ... |
Doctor
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Emmi, a woman truly in the second half of life, falls in love with Ali, a Berber guest worker more than ten years younger. When they both decide to marry, everybody seems to be against them. When the folks calm down a bit, Emmi and Ali get deeply unsure about their relationship. Written by Oliver Heidelbach
First of all, this film has definitely the best (German) movie title ever. It loses much of its power when it's translated but in German it is absolutely fascinating.
On the other hand, Fassbinder's movies and especially this one are not untranslatable, which is positive. The story about a love (is it?) between two people of different age and origin is universal and, though set in a very xenophobe and intolerant Germany, should be understood by everybody all over the world. Fassbinder is a master in guiding his actors so they can they play naturally and believably without using a particular local accent or slang that is probably more realistic.
I do not completely agree with the film's utterly pessimistic view on practically all the characters in the movie; I think his portray of contemporary society is a little bit exaggerated (and it was even twenty-five years ago). However, I acknowledge that by means of exaggerating like this, Fassbinder makes his criticism clear and evokes a particularly bad feeling (of guilt?) in the viewer's belly. While the story is rather sad, it includes a lot of (sarcastic) side-swipes on society as it is.
Angst essen Seele auf (oh, this is a marvellous title!) is maybe a more silent version of Harold and Maude; more silent but not less interesting.