Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to ... See full summary »
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Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to flee shortly after and takes Blondi to a doctor. He tells her his story, how he used to smuggle drugs, but one day fled with a suitcase full of money. Corinna inexplicably falls in love with him and decides to accompany him on his further flight. But the villains are close behind them. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
One of several early European films US distributers released in order to exploit Hauer's stardom during the eighties. This one is especially hard to find, but could pop up anywhere at random. If it does don't bother, despite your curiosity of seeing a young dashing Hauer. The plot has the standard morally impaired Hauer ripping off his employers, only to be tracked down by them. He falls in love with a rural beauty and wears a trenchcoat (eventually a trademark.) Ambiguity in the performances (Hauer seems bored when he should be getting intense) plot, ending all make this a waste of time and effort. The muddy dubbing certainly doesn't help.
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One of several early European films US distributers released in order to exploit Hauer's stardom during the eighties. This one is especially hard to find, but could pop up anywhere at random. If it does don't bother, despite your curiosity of seeing a young dashing Hauer. The plot has the standard morally impaired Hauer ripping off his employers, only to be tracked down by them. He falls in love with a rural beauty and wears a trenchcoat (eventually a trademark.) Ambiguity in the performances (Hauer seems bored when he should be getting intense) plot, ending all make this a waste of time and effort. The muddy dubbing certainly doesn't help.