| Photos (See all 32 | slideshow) |
| Pupella Maggio | ... | Miranda Biondi, Titta's Mother | |
| Armando Brancia | ... | Aurelio Biondi, Titta's Father | |
| Magali Noël | ... | Gradisca, The hairdresser (as Magali' Noel) | |
| Ciccio Ingrassia | ... | Teo - the mad uncle | |
| Nando Orfei | ... | Patacca, Titta's Uncle | |
| Luigi Rossi | ... | Lawyer | |
| Bruno Zanin | ... | Titta Biondi | |
| Gianfilippo Carcano | ... | Don Baravelli | |
| Josiane Tanzilli | ... | Volpina, prostitute | |
| Maria Antonietta Beluzzi | ... | Tobacconist | |
| Giuseppe Ianigro | ... | Titta's Grandfather | |
| Ferruccio Brembilla | ... | Fascist Leader | |
| Antonino Faà di Bruno | ... | Count Lovignano (as Antonino Faa' Di Bruno) | |
| Mauro Misul | ... | Philosophy Teacher | |
| Ferdinando Villella | ... | Fighetta, Greek Teacher | |
| Antonio Spaccatini | ... | Federale | |
| Aristide Caporale | ... | Giudizio | |
| Gennaro Ombra | ... | Biscein | |
| Domenico Pertica | ... | Blind Man | |
| Marcello Di Falco | ... | The Prince | |
| Stefano Proietti | ... | Oliva, Titta' brother | |
| Alvaro Vitali | ... | Naso | |
| Bruno Scagnetti | ... | Ovo | |
| Fernando De Felice | ... | Ciccio | |
| Bruno Lenzi | ... | Gigliozzi | |
| Gianfranco Marrocco | ... | Son of Count Poltavo | |
| Francesco Vona | ... | Candela | |
| Donatella Gambini | ... | Aldina Cordini | |
| rest of cast listed alphabetically: | |||
| Dina Adorni | ... | Mrs. De Leonardis, Mathematics Teacher (uncredited) | |
| Paolo Baroni | ... | Student (uncredited) | |
| Bruno Bertocci | ... | Matteo - Gradisca's Husband (uncredited) | |
| Marcello Bonini Olas | ... | Gymnastic Teacher (uncredited) | |
| Dante Cleri | ... | History Teacher (uncredited) | |
| Mario Del Vago | ... | Motorcyclist (uncredited) | |
| Francesco Di Giacomo | ... | Security Man (uncredited) | |
| Dario Giacomelli | ... | Patacca's Friend (uncredited) | |
| Veriano Ginesi | ... | Lifeguard (uncredited) | |
| Mario Liberati | ... | Ronald Coleman, The Theater Owner (uncredited) | |
| Franco Magno | ... | Zeus - High School Headmaster (uncredited) | |
| Cesare Martignon | ... | Barber (uncredited) | |
| Francesco Maselli | ... | Bongioanni, Science Teacher (uncredited) | |
| Lino Patruno | ... | Bobo (uncredited) | |
| Fredo Pistoni | ... | Colonia (uncredited) | |
| Eros Ramazzotti | ... | Boy Playing with Snow (uncredited) | |
| Faustone Signoretti | ... | Il vetturino Madonna (uncredited) | |
| Mario Silvestri | ... | Italian Teacher (uncredited) | |
| Fides Stagni | ... | Art Teacher (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits(in alphabetical order) | ||
| Federico Fellini | writer | |
| Tonino Guerra | screenplay | |
| Tonino Guerra | story | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Danilo Donati | |||
Art Direction by | |||
| Giorgio Giovannini | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Rino Carboni | .... | key makeup artist | |
| Amalia Paoletti | .... | key hair stylist | |
Production Management | |||
| Alessandro Gori | .... | production supervisor | |
| Lamberto Pippia | .... | production manager | |
| Gilberto Scarpellini | .... | production supervisor | |
Art Department | |||
| Andrea Fantacci | .... | set dresser | |
| Massimo Antonello Geleng | .... | assistant production designer (as Antonello Geleng) | |
| Italo Tomassi | .... | scenic artist | |
Sound Department | |||
| Oscar De Arcangelis | .... | sound | |
Special Effects by | |||
| Adriano Pischiutta | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Roberto Aristarco | .... | assistant camera | |
| Massimo Di Venanzo | .... | assistant camera | |
| Giuseppe Maccari | .... | camera operator | |
| Pierluigi Praturlon | .... | still photographer (as Pierluigi) | |
Costume and Wardrobe Department | |||
| Mario Ambrosino | .... | assistant costume designer | |
| Rita Giacchero | .... | assistant costumer | |
| Aldo Giuliani | .... | assistant costumer | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
Music Department | |||
| Carlo Savina | .... | musical director | |
Other crew | |||
| Giuseppe Bruno Bossio | .... | production secretary | |
| Enzo Consolini | .... | cashier | |
| Jean Paul De La Motte | .... | technical co-author | |
| Norma Giacchero | .... | script supervisor | |
| Enzo Lucarini | .... | cashier | |
| Mario Maldesi | .... | dubbing director | |
| Fernando Rossi | .... | production secretary | |
| Adriana Asti | .... | voice dubbing: Magali Noël (uncredited) | |
| Renato Cortesi | .... | voice dubbing: various characters (uncredited) | |
| Solveyg D'Assunta | .... | voice dubbing: Maria Antonietta Beluzzi (uncredited) | |
| Corrado Gaipa | .... | voice dubbing: Armando Brancia (uncredited) | |
| Oreste Lionello | .... | voice dubbing: Ferdinando Villella and Gennaro Ombra (uncredited) | |
| Ave Ninchi | .... | voice dubbing: Pupella Maggio (uncredited) | |
| Enzo Robutti | .... | voice dubbing: Ciccio Ingrassia (uncredited) | |
| Piero Tiberi | .... | voice dubbing: Bruno Zanin (uncredited) | |
| Romolo Valli | .... | voice dubbing: Nando Orfei (uncredited) | |
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| 1900 | 8½ | My Own Private Idaho | Malèna | Fellini's Roma |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
I never thought of this movie as carnivalesque, but you could argue about that. I like to think it is surrealistic in the way that your memory can distort history and all that you once dreamed of or was scared of. Those memories evolve into caricatures of persons, their behaviour and caricatures of situations. We not only see Federico's memories, but also the supposed memories of people once surrounding him.
Also this is said to be Fellini's most accessible film. Well, I was 15 when I saw it first, and it is still one of my favorites. About 10 Fellini-films later I read that this won the academy-award for best foreign picture, which I never expected, but think is quite rightly. The many surrealistic scenes stick to the mind for decades. Hilarious, tragic, oppressive (upcoming fascism: so most of it must take place just before ww2), nostalgic, poetic: there's something for everyone (and every age) to appeal to, while Fellini makes no compromises. If this was higher-paced, you wouldn't have time to appreciate the details, the photography and the music (Nino Rota). Don't look for a plot here.
The cinematography (Giuseppe Rotunno) has comparable feel with some films by Mike Nichols (Catch-22 (1970), Carnal Knowledge (1971), Graduate (1967)). Rotunno worked with Mike Nichols on three films: Carnal Knowledge, Regarding Henry and Wolf. And with Fellini on 9 films (e.g. City of women (1980)). I don't know if this is relevant, but Fellini is said to have had a conversation with Mike Nichols during the production of Catch-22. Otherwise I can't think of many films that are comparable with this fabulous collage of events happening apparently in spring, summer, autumn, winter and ends in spring to conclude some cycle (generation ?) accompanied by beautiful distinctive music. Why o why can't we vote 11 :(