| Photos (See all 32 | slideshow) |
| Pupella Maggio | ... | Miranda Biondi, Titta's Mother | |
| Armando Brancia | ... | Aurelio Biondi, Titta's Father | |
| Magali Noël | ... | Gradisca, The hairdresser (as Magali' Noel) | |
| Ciccio Ingrassia | ... | Teo - the mad uncle | |
| Nando Orfei | ... | Patacca, Titta's Uncle | |
| Luigi Rossi | ... | Lawyer | |
| Bruno Zanin | ... | Titta Biondi | |
| Gianfilippo Carcano | ... | Don Baravelli | |
| Josiane Tanzilli | ... | Volpina, prostitute | |
| Maria Antonietta Beluzzi | ... | Tobacconist | |
| Giuseppe Ianigro | ... | Titta's Grandfather | |
| Ferruccio Brembilla | ... | Fascist Leader | |
| Antonino Faà di Bruno | ... | Count Lovignano (as Antonino Faa' Di Bruno) | |
| Mauro Misul | ... | Philosophy Teacher | |
| Ferdinando Villella | ... | Fighetta, Greek Teacher | |
| Antonio Spaccatini | ... | Federale | |
| Aristide Caporale | ... | Giudizio | |
| Gennaro Ombra | ... | Biscein | |
| Domenico Pertica | ... | Blind Man | |
| Marcello Di Falco | ... | The Prince | |
| Stefano Proietti | ... | Oliva, Titta' brother | |
| Alvaro Vitali | ... | Naso | |
| Bruno Scagnetti | ... | Ovo | |
| Fernando De Felice | ... | Ciccio | |
| Bruno Lenzi | ... | Gigliozzi | |
| Gianfranco Marrocco | ... | Son of Count Poltavo | |
| Francesco Vona | ... | Candela | |
| Donatella Gambini | ... | Aldina Cordini | |
| rest of cast listed alphabetically: | |||
| Dina Adorni | ... | Mrs. De Leonardis, Mathematics Teacher (uncredited) | |
| Paolo Baroni | ... | Student (uncredited) | |
| Bruno Bertocci | ... | Matteo - Gradisca's Husband (uncredited) | |
| Marcello Bonini Olas | ... | Gymnastic Teacher (uncredited) | |
| Dante Cleri | ... | History Teacher (uncredited) | |
| Mario Del Vago | ... | Motorcyclist (uncredited) | |
| Francesco Di Giacomo | ... | Security Man (uncredited) | |
| Dario Giacomelli | ... | Patacca's Friend (uncredited) | |
| Veriano Ginesi | ... | Lifeguard (uncredited) | |
| Mario Liberati | ... | Ronald Coleman, The Theater Owner (uncredited) | |
| Franco Magno | ... | Zeus - High School Headmaster (uncredited) | |
| Cesare Martignon | ... | Barber (uncredited) | |
| Francesco Maselli | ... | Bongioanni, Science Teacher (uncredited) | |
| Lino Patruno | ... | Bobo (uncredited) | |
| Fredo Pistoni | ... | Colonia (uncredited) | |
| Eros Ramazzotti | ... | Boy Playing with Snow (uncredited) | |
| Faustone Signoretti | ... | Il vetturino Madonna (uncredited) | |
| Mario Silvestri | ... | Italian Teacher (uncredited) | |
| Fides Stagni | ... | Art Teacher (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits(in alphabetical order) | ||
| Federico Fellini | writer | |
| Tonino Guerra | screenplay | |
| Tonino Guerra | story | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Danilo Donati | |||
Art Direction by | |||
| Giorgio Giovannini | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Rino Carboni | .... | key makeup artist | |
| Amalia Paoletti | .... | key hair stylist | |
Production Management | |||
| Alessandro Gori | .... | production supervisor | |
| Lamberto Pippia | .... | production manager | |
| Gilberto Scarpellini | .... | production supervisor | |
Art Department | |||
| Andrea Fantacci | .... | set dresser | |
| Massimo Antonello Geleng | .... | assistant production designer (as Antonello Geleng) | |
| Italo Tomassi | .... | scenic artist | |
Sound Department | |||
| Oscar De Arcangelis | .... | sound | |
Special Effects by | |||
| Adriano Pischiutta | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Roberto Aristarco | .... | assistant camera | |
| Massimo Di Venanzo | .... | assistant camera | |
| Giuseppe Maccari | .... | camera operator | |
| Pierluigi Praturlon | .... | still photographer (as Pierluigi) | |
Costume and Wardrobe Department | |||
| Mario Ambrosino | .... | assistant costume designer | |
| Rita Giacchero | .... | assistant costumer | |
| Aldo Giuliani | .... | assistant costumer | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
Music Department | |||
| Carlo Savina | .... | musical director | |
Other crew | |||
| Giuseppe Bruno Bossio | .... | production secretary | |
| Enzo Consolini | .... | cashier | |
| Jean Paul De La Motte | .... | technical co-author | |
| Norma Giacchero | .... | script supervisor | |
| Enzo Lucarini | .... | cashier | |
| Mario Maldesi | .... | dubbing director | |
| Fernando Rossi | .... | production secretary | |
| Adriana Asti | .... | voice dubbing: Magali Noël (uncredited) | |
| Renato Cortesi | .... | voice dubbing: various characters (uncredited) | |
| Solveyg D'Assunta | .... | voice dubbing: Maria Antonietta Beluzzi (uncredited) | |
| Corrado Gaipa | .... | voice dubbing: Armando Brancia (uncredited) | |
| Oreste Lionello | .... | voice dubbing: Ferdinando Villella and Gennaro Ombra (uncredited) | |
| Ave Ninchi | .... | voice dubbing: Pupella Maggio (uncredited) | |
| Enzo Robutti | .... | voice dubbing: Ciccio Ingrassia (uncredited) | |
| Piero Tiberi | .... | voice dubbing: Bruno Zanin (uncredited) | |
| Romolo Valli | .... | voice dubbing: Nando Orfei (uncredited) | |
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When "Amarcord" had it's American premier at the Plaza Theatre on East 58th Street in New York, I was working as the manager of The Paris Theatre, also on 58th Street, just 2 blocks west, behind Bergdorf's and facing the front of the Plaza Hotel.
Both theatres were part of the Cinema-5 circuit of first-run theatres in Manhattan. I often took advantage of the pass privileges that theatres extend to one another and always attended every other theatre in the city to sample their fare.
As I often worked as 'relief' manager of The Plaza, I was well known to the the crew there and had easy access to that theatre at all times. When I first sat through "Amarcord" during it's opening, I realized that I had just seen "THE Finest Film Ever Made". When I told this to others, I was often scoffed at. I was told that the 'Finest Film' hadn't been made yet. That was until the scoffers saw the film for themselves. Every friend I brought to The Plaza to see "Amarcord" was as enchanted with the film as I was.
During it's opening run at the Plaza Theatre in 1974, I must have seen the film at least 50 times. I next saw "Amarcord" at an art house in another city in 1980. Yes, it was still the best film. In the 6 years since it's USA premier I can't say I saw any film better than "Amarcord."
Then, when it was at long last released on videotape in the 1990's, I purchased the tape. When I watched the tape I wept. Yes, it was STILL the finest film ever made. I DO think the world of "Nights of Cabiria", "La Strada", "La Dolce Vita" and "8 1/2". But "Amarcord" is more than just Fellini's greatest work. It is greater than ANY other film, made by any other person or group of persons. I know now, 27 years after I first saw this film, that I will certainly say, 27 years in the future: This is THE film that no film-maker can top.
..In my humble opinion, of course....