1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
This story begins in 1870 at a little town somewhere in Russia. It processed the real "Nyecsajev story". A group of young revolutionists wanna ruin the system with violence. They think this... See full summary »
A young woman is questioned by the police and the judges, suspected of being a modern witch. The girl who shared her apartment has been found dead, and a pair of scisors impaled through her... See full summary »
In 1916, Vincent van Horst leaves Europe to return to his Canadian homeland. There, he seeks his former love, Maria... but the lady's pride is hurt and she refuses to see him. Vincent then ... See full summary »
I saw this movie three or four times when it came out. That was almost thirty years ago, but I remember it pretty clearly. It is a careful and sympathetic character study/biography of an actual young woman named Aloise, who was born about 1900.
It starts off in the dark, at night, with voices of young girls talking, sisters. Aloise says she would like the name Lulu for all the U's.
I didn't know what it meant at the time, but now I can see it meant she wished she were someone else. She was a gentle, artistic woman with a mind divided over many things.
There are various stresses in her life as she grows up; she is happiest when she is singing and when she is taking care of children, as a nanny. There is a beautiful scene in the park with the children, the last scene before the war breaks out. It starts to rain at the end of the scene, and, since I was in college, I recognized this as an allegory of the coming storm of the war.
When the war breaks out, it puts tremendous stresses on her psychologically.
She is a very gentle and empathetic person. None of us enjoy war, I'd guess, at least not most of us when we stop to think about what goes on. But it was just awfully hard on her. In a similar vein, the American poet Denise Levertov told me in the 1980's she was unable to write for a period because of the horrors America was supporting in El Salvador. War affects Aloise the same way.
I found it engrossing. It was stylish and beautiful. It was the first foreign film I saw over and over; the pacing and perspective were Western, but definitely not American. It was much slower and more delicate than an American film.
I was hooked.
I would very much like to see it again, and highly recommend it.
6 of 7 people found this review helpful.
Was this review helpful to you?