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Alice Doesn't Live Here Anymore (1974)

PG | | Drama, Romance | 30 May 1975 (France)
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A recently widowed woman is on the road with her precocious young son, determined to make a new life for herself as a singer.

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Won 1 Oscar. Another 5 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mia Bendixsen ...
Alice - Age 8
...
...
Tommy (as Alfred Lutter)
...
Donald
Lelia Goldoni ...
Bea
Ola Moore ...
Old Woman
...
Joe & Jim's Bartender
Marty Brinton ...
Lenny (as Martin Brinton)
Dean Casper ...
Chicken
Murray Moston ...
Jacobs
...
Ben
Lane Bradbury ...
Rita
...
Flo
...
Mel
...
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Storyline

Despite admitting that she was scared of him in her never-ending quest to please him, thirty-five year old housewife and mother Alice Hyatt is devastated when her husband Donald is killed in an on the job traffic accident. With few job skills except that as a singer, Alice, along with her precocious eleven year old son Tommy, decides to move from their current home in Socorro, New Mexico to her home town of Monterrey, California, the only place she has ever felt happy. She plans on getting singing gigs along the way to earn money to get back to Monterrey by the end of the summer and the start of Tommy's school year. Alice's quest for a job at each stop leaves Tommy often to fend for himself, which may make Tommy even more precocious. His behavior is fostered by Alice, as their relationship is often more as trouble-making friends than mother and son. Alice's plans often do not end up as she envisions, especially as she is forced to take a waitressing job at Mel and Ruby's Diner in ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A picture for anyone who has ever dreamed of a second chance!

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 May 1975 (France)  »

Also Known As:

Alicia ya no vive aquí  »

Box Office

Budget:

$1,800,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The production presented Ellen Burstyn with a new challenge -singing. "I have the worst voice," she explained. "I can't carry a tune, but I was determined not to have Marni Nixon sing for me." She spent six months with piano and singing teachers to prepare. See more »

Goofs

When the alarm clock goes off, Alice knocks it to the second shelf (at around 1h 35 mins). Alice goes back to sleep and some short time later, without either her or Tommy having moved in the bed, the alarm clock has returned to the top shelf of the nightstand. See more »

Quotes

[last lines]
Tommy: [final lines] You really love David, don't you?
Alice: Yep, I do.
Tommy: Yeah, I like him too, I just hate his taste in music. He always said you could fight with somebody and still like him.
Alice: Hey, now you're using your old noggin! Thanks pal!
[hugs and kisses]
Alice: My boy!
Tommy: Mom, mom, I can't breathe!
See more »

Crazy Credits

introducing Alfred Lutter as Tommy See more »

Connections

References The Wizard of Oz (1939) See more »

Soundtracks

Gone with the Wind
(1937)
Music by Allie Wrubel
Lyrics by Herb Magidson
Performed by Ellen Burstyn (uncredited)
See more »

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User Reviews

 
A movie of many memorable characters.
12 September 2002 | by (United Kingdom) – See all my reviews

This has to be one of Martin Scorses's most enjoyable films. The film follows Alice (Ellen Burstyn) on a journey back to happier times after a tragedy forces her to make important decisions about her life. Needing a job to raise cash for this journey takes her and her son (the remarkably cheeky Alfred Lutter) on a journey of self discovery. Having a small talent for singing she eventually secures a job as a singer in a bar but flees town after meeting psychopathic Harvey Keitel. Eventually working as a waitress in Mel's Diner she becomes involved with the strangely uncharismatic Kris Kristofferson and realises she has finally met someone who really cares for her. The performances make this a remarkable film, Burstyn & Lutter are a great double act as mother and son, Harvey Keitel frighteningly plausible as a mentally unbalanced suitor and Jodie Foster sexually ambiguous as Lutters playmate. Diane Ladd excels as hard-bitten fellow waitress Flo and Jane Curtin and Billy Green Bush make an impact with barely half a dozen lines between them. Add to this a terrific musical score and inspiring cinematography and you have a timeless classic that is just crying out for a DVD release.


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