A seductive woman, who left her small fishing town long ago after being caught with another woman's husband, returns to shake up the place by seducing everyone, including the woman and her girlfriends.
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Joseph W. Sarno
Paul and Gabrielle, a young married couple, take in their neighbor's teenage daughter, Felicia, for a few weeks in the summer. It isn't long before the precocious and seductive Felicia sets her sights on the two of them.
Misty arrives in a small town to look for her mother who abandoned her 22 years ago. She stays with a bisexual artist and her friends and models for her. Meanwhile, a Christian woman with a secret tries to save her perverted niece.
The return of Abigail Lesley brings back some old painful memories for several inhabitants of a small quiet finishing village that's been hit by economic troubles. Abigail left town years ago after she and Gordon Howe were caught by accident by his wife Priscilla, while having sex. Abigail is a sexually liberated and predatory woman, who knows what she wants and what she wants is revenge, sort of. She slowly gets in touch with the people she used to know there, including Priscilla, and proceeds to seduce them one by one. What starts off as manipulative revenge, slowly turns into a session of sexual liberation and emotional healing. Succumbing to Abigail's charms, cautious Priscilla, her sex-loving friends Lila and Tracey, ashamed local incestuous fisherman and Priscilla's on and off lover Chester, his meek sister Alice Anne and indirectly even Priscilla's aunt Drucilla, all become part of Abigail's seductive game. However, things take a more serious turn at the end.
At last, a long-lost Joe Sarno film from his peak period as a softcore director has made its way onto DVD, just like the titular character Abigail Leslie has been away for years but has now returned to the small town of Baypoint, where her sexual appetite made her infamous. Abigail is a woman who is serious about her carnal pursuits, and upon her return she immediately re-establishes her pursuit of the flesh of a lonely tomboy (Chris Jordan) who has a longing for her brother (Eric Edwards), a repressed housewife (Julia Sorel) who harbors a hidden love of the ladies, and a troubled husband and wife (Jamie Gillis and Rebecca Brooke), Abigail having seduced the husband prior to her departure years earlier. Through a series of erotic encounters, all of which are instigated by Abigail Leslie, all the characters in the story find sexual healing and some degree of happiness, and some just have a plain old good time.
There are many appealing elements to "Abigail Leslie". The acting by the entire cast is strong, with Rebecca Brooke again delivering a moving, believable, multi-faceted performance. In fact, the entire female cast is exceptional in the acting department -- Sarno's script must have struck a cord with these women. As for the men, Eric Edwards is in fine form again, while Jamie Gillis, usually an outstanding actor in adult-oriented films, is quite subdued in his performance, but his screen time is limited anyway. While Rebecca Brooke could steal the acting award with her wide, expressionistic eyes, Sara Nicholson, aka Jennifer Jordan, cannot be overlooked in the titular role of Abigail. She and Brooke are the main focal points of the film and Nicholson plays her role with such a careful understanding and understating that it is clear she enjoyed having the unusually good script and director with which to work. Not to be outdone, Chris Jordan, Julia Sorel and Jennifer Welles steal a few scenes themselves.
Joe Sarno again creates a story populated with real, everyday people. His sense of humor occasionally lightens the mood, but his film is, for the most part, quite dramatic. He is as in tune with the characters psychologically as well as sexually, and "Abigail Leslie" is clearly among his best works. The acting scenes are as strong as the sex scenes, which are erotic and very steamy. The often somber (but not overly so) mood is enhanced by the minimal Jack Justice score and photography by Armand Weston, both of whom would work again with Sarno, with nearly the entire cast of "Abigail Leslie", on the following year's "Misty", which is an even better film. So, once again, adults wanting an intelligent erotic film will find themselves well-served by Sarno and Abigail Leslie.
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