| Richard Harris | ... | Harry Crown | |
| Edmond O'Brien | ... | Uncle Frank Kelly | |
| Bradford Dillman | ... | Big Eddie | |
| Ann Turkel | ... | Buffy | |
| Constance Ford | ... | Dolly | |
| Zooey Hall | ... | Tony (as David Hall) | |
| Kathrine Baumann | ... | Baby | |
| Janice Heiden | ... | Clara | |
| Max Kleven | ... | North | |
| Karl Lukas | ... | Guard | |
| Tony Brubaker | ... | Burt (as Anthony Brubaker) | |
| Jerry Summers | ... | Shoes | |
| Roy Jenson | ... | Jake | |
| Chuck Connors | ... | Marvin 'Claw' Zuckerman | |
| rest of cast listed alphabetically: | |||
| Tom Anfinsen | ... | Dakota | |
| Bennie E. Dobbins | (as Bennie Dobbins) | ||
| Chuck Roberson | ... | Gunman | |
| William Hansen | ... | Joe - Kelly's Accountant (uncredited) | |
Directed by | |||
| John Frankenheimer | |||
Writing credits | ||
| Robert Dillon | (written by) | |
Produced by | |||
| Mickey Borofsky | .... | associate producer | |
| Joe Wizan | .... | producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Ralph Woolsey | (director of photography) | ||
Film Editing by | |||
| Harold F. Kress | |||
Casting by | |||
| Jack Baur | |||
Art Direction by | |||
| Herman A. Blumenthal | (as Herman Blumenthal) | ||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Ron Talsky | |||
Makeup Department | |||
| Ken Chase | .... | makeup artist | |
Production Management | |||
| Mel Dellar | .... | unit production manager (as Melvin D. Dellar) | |
| Jere Henshaw | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Kurt Neumann | .... | assistant director | |
| Lorin Bennett Salob | .... | second assistant director (as Lorin B. Salob) | |
Sound Department | |||
| Glenn E. Anderson | .... | sound mixer (as Glenn Anderson) | |
| Don Hall | .... | sound editor | |
| Godfrey Marks | .... | dialogue editor | |
| Edward Rossi | .... | sound editor | |
| Theodore Soderberg | .... | sound re-recording mixer | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects | |
| A. Paul Pollard | .... | special effects (as Paul Pollard Jr.) | |
Stunts | |||
| Craig R. Baxley | .... | stunts | |
| Max Kleven | .... | stunt coordinator | |
| Jerry Brutsche | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunts (uncredited) | |
| Erik Cord | .... | stunts (uncredited) | |
| Howard Curtis | .... | stunts (uncredited) | |
| Nick Dimitri | .... | stunts (uncredited) | |
| Bennie E. Dobbins | .... | stunts (uncredited) | |
| Larry Duran | .... | stunts (uncredited) | |
| Dick Durock | .... | stunt double (uncredited) | |
| Tony Epper | .... | stunts (uncredited) | |
| Fritz Ford | .... | stunt double (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Larry Holt | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Gene LeBell | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunt double (uncredited) | |
| Fred Lerner | .... | stunts (uncredited) | |
| Harvey Parry | .... | stunts (uncredited) | |
| Peter Peterson | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| George Robotham | .... | stunts (uncredited) | |
| Walter Scott | .... | stunts (uncredited) | |
| Paul Stader | .... | stunts (uncredited) | |
| Jack Verbois | .... | stunts (uncredited) | |
| Jesse Wayne | .... | stunts (uncredited) | |
| George P. Wilbur | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Lamar Boren | .... | underwater photographer | |
| Chris Schwiebert | .... | camera operator | |
Costume and Wardrobe Department | |||
| Shelly Levine | .... | costumer | |
Transportation Department | |||
| James E. Haynes | .... | driver | |
| Chris Haynes | .... | driver (uncredited) | |
Other crew | |||
| Phill Norman | .... | titles | |
| Paul Stader | .... | underwater director | |
| Bruce Pittman | .... | production assistant (uncredited) | |
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| Bangkok Dangerous | Shaft | Death Wish 4: The Crackdown | Raw Deal | The Dark Knight |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
99 and 44/100ths Percent Dead is the story of a mob war between two rival bosses, Edmond O'Brien and Bradford Dillman and the two hit men working for them, Richard Harris and Chuck Connors. The film is enjoyable but it can't seem to make up its mind whether it's a spoof of the genre or a straight out action film.
Richard Harris is hired by O'Brien to help him in his war with Dillman over the Los Angeles territory. O'Brien needs Harris bad especially since Dillman has Connors on retainer. Harris and Connors have some history with Harris leaving Chuck with a permanent reminder.
Which is in the form of a handy/dandy claw which has various attachments for whatever need you have at the moment. When I saw this in the theater back in the Seventies it was that claw I remembered. Connors who first started in films playing villains like Buck Hannessy in The Big Country went to television and became a hero in The Rifleman and Branded. Personally I always thought Connors was better as a bad guy.
Bradford Dillman though I had forgotten, his was an incredibly hammy performance as the rival gang boss. It would have been appropriate and would have succeeded if the satire that might have been intended had come off.
The film while not memorable in his career did furnish Richard Harris with a wife. Tall and leggy Ann Turkel made her second film and was billed as being 'introduced' here. The old adage about having no attachments is certainly true as the bad guys can get to Harris through Turkel and nearly succeed.
Sadly this was the farewell film for Edmond O'Brien who was another victim of Alzheimer's Disease and spent the last ten years of his life losing his career and memories thereof to that terrible curse. He could have probably done something better, but at least it was no Cuban Rebel Girl that terrible film Errol Flynn capped his career with.
99 and 44/100ths Percent Dead is still enjoyable, but could have been done a lot better by director John Frankenheimer.