Arthur Daley, a small-time conman, hires former boxer Terry McCann to be his 'minder', so Terry can protect him (Arthur) from other, small-time, crooks. While Terry is trying his hardest to... See full summary »
This series chronicled the lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism ... See full summary »
Ken Boon and Harry Crawford are two middle-aged ex-firemen who start out in business together, initially in Birmingham and later in Nottingham. During the seven series (1986-1992), Ken ... See full summary »
Cinematic spin-off from the popular TV series. Hard-bitten Flying Squad officer Jack Regan gets embroiled in a deadly political plot when an old friend asks him to investigate the death of ... See full summary »
Terry and Bob from The Likely Lads (1964) continue their life after Terry arrives home from serving in the Army to discover that Bob is about to marry his girlfriend Thelma. Can Thelma lead... See full summary »
Jeff Randall and Marty Hopkirk are private detectives who specialize in divorce cases. Their long-running partnership seems to come to an abrupt end when Marty is killed by a hit-and-run, ... See full summary »
Second cinematic spin-off from the popular 70's police series. Regan & Carter head a Flying Squad investigation into a series of bank raids by a team of well-armed villains who are flying in from the continent.
British police series which revolutionised the genre on UK television in the mid 1970s. Jack Regan (see also 'Regan' (1974)) played by John Thaw is a hard edged detective in the Flying Squad of London's Metropolitan police (called 'the Sweeney' from the Cockney rhyming slang 'Sweeney Todd' = 'Flying Squad"). He pursues villains by methods which are underhand, often illegal themselves, frequently violent and more often than not successful. The series was made on film a preserves a gritty realism inherited from such films as 'Get Carter' (1971) Written by
On promotional material for 70s US cop series Starsky and Hutch when it was remade, Paul Michael Glaser commented that that series worked because it was first about men, second about cops. The same applies for The Sweeney. Regan and Carter are not perfect, they are not saints, they are not superheroes. They do not solve every crime perfectly. That is why we can relate to them. We watch them and see men like ourselves.
The setting is firmly in the Seventies, with all its period detail. But as with Starsky and Hutch, we see the relationship between men engaged in battle. The dated backdrops fall away and we see the same spirit behind it - an appeal to heroism in an age when this is lacking.
The series is over 30 years old but talks to men today. Therein lies its continued appeal - and success.
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