Richie's father has been swindled by a man named Coombs. Jim assembles together a disparate group of con-artists in a complicated scheme using Coombs' anxieties, and even the "Curse" of King Tut, to ...
With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
The famed P.I. works to uncover facts of the death of a wealthy socialite whose two grown children are accused of murdering her. Complicating matters are Rockford's omnipresent "friend" ... See full summary »
Laid-back private eye Jim Rockford and his brown Pontiac Firebird become embroiled in another case when he runs across an old flame, blind psychologist Megan. Her no-good playboy cousin ... See full summary »
Series about an ex-convict-turned-private-investigator named Jim Rockford who would rather run away than fight and would rather go fishing than work. He isn't a coward, and he isn't lazy -- just rather on the cautious side, that's all. And he bears a very strong resemblance to Western television hero Bret Maverick. Rockford is sometimes assisted (and sometimes deterred) in his cases by friends Dennis Becker (a police detective), Evelyn "Angel" Martin (his cowardly former cellmate) and pretty Beth Davenport (his lawyer). Written by
Marty McKee <firstname.lastname@example.org>
Rockford's telephone number is shown to be 555-2368 during the opening credits, as his answering machine message is heard just before the music starts. This was also the phone number shown for the Ghostbusters in their in-movie ad. See more »
Even though Jim Rockford always drives a current model Firebird, many episodes feature stock footage shot with older models, especially in the 1975-77 seasons. See more »
[to hood who has just kidnapped him]
Does your mother know what you do for a living?
See more »
The message left on the answering machine at the opening credits changes from episode to episode, always introducing another case. See more »
What the hell kind of a detective is this? The guy's not strong jawed, self-righteous and brave, and he seldom even carries a gun, much less shoots anyone. Since he consistently gets stiffed by his clients, he has to live hand to mouth in a cheesy trailer in a parking lot. (The trailer, incidently, is only crummy on the outside. Inside, it's comfortable, well furnished and clean, much like Rockford's character.)
Even the cops in this excellent series are presented as human, not as cardboard heroes. They've got the same pecking order problems at work that most of us have. In fact, ALL of the characters in this series seem to have some depth.
One of the most amazing things about the show's plots is that they hardly ever had to be resolved by gunfire because the writers were too lazy to come up with anything else.
Jim Garner's charm was a big part of the show's success, but it was the superb writing that made "The Rockford Files" so consistently entertaining. Many of the stories would have made first rate movies, particularly some of the two parters.
I'll never forget Angel begging Rockford for help after getting himself thoroughly enmeshed with the mob through his own stupidity and greed. Rockford chews him out, explains exactly why he ought to let him go right down the drain, and challenges him to come up with one good reason he should help him.
"Because you're my friend," Angel says, leaving Rockford without a comeback.
A friend like that, I could use.
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