A pair of seemingly unrelated deaths are connected by the fact that each victim had a small amount of Spanish Moss on the body. When more murders occur, Kolchak is able to determine that each victim ...
Three tales of terror: in "The Graveyard Rats" lovers murder the woman's older husband and encounter horror when they attempt to rob his grave; "Bobby" is the story of a woman who summons ... See full summary »
Geraint Wyn Davies,
Nick Small and Chip Frye were a private-eye team with a twist. Frye had the ability to shrink to six inches in height, which gave him a slight advantage in investigating cases. One ... See full summary »
The adventures of Mickey Spillane's tough-talking, brawling, skirt-chasing private detective Mike Hammer, who's always ready to use his fists on a "mug" or his charm on a "skirt" to get the case solved.
Carl Kolchak was a reporter for Chicago's Independent News Service, and a trouble magnet for situations involving the supernatural. Kolchak turned his investigative skills to vampires, werewolves, zombies and all manner of legendary creatures, but in the end he always failed to convince his skeptical editor, Tony Vincenzo, that the stories weren't products of Kolchak's own overworked imagination. Written by
Marg Baskin <firstname.lastname@example.org>
Actor Richard Kiel, before he became best known as the killer "Jaws" in the James Bond movies, was cast in two episodes as the monster. He first appeared as the "Diablero" in "Bad Medicine" and later as the swamp monster in "The Spanish Moss Murders." See more »
Many of the stories take place in the winter months, but there is never any snow, and even if there was no snow, it is highly unlikely one would be driving a convertible with the top down during the winter months in Chicago. See more »
[Told that a dead panda at the zoo died from a heart attack]
A raccoon, with a heart attack... maybe you fed it too much cholesterol.
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In a decade which gave us Battlestar Galactica, Buck Rogers, and...well, not much else, Night Stalker stands out as an oasis of quality horror/fantasy/science fiction in the 70's. Darren McGavin is at the top of his form in a series that splits its time about evenly between humor and horror. The only real problem with the series is the scripting, which varies from week to week in no perceivable pattern. An incredibly wretched episode like "The Energy Eater" will be followed by the series' best, "Horror in the Heights," the following week. Still, McGavin and the supporting cast are fun to watch, and you get the chance to laugh along with the writers as they both pay homage to and parody all those old horror movies.
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