Harry Orwell is a world-weary private investigator who was forced to leave the San Diego Police Department after a bullet became lodged near his spine. He lived on the beach, and, when not ...
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A mentally challenged young man sneaks out of his home in the middle of the night to go to a carnival. When a young woman is found strangled the next morning, his parents hire Harry to find out where...
Richard Diamond is a suave private eye who, at first, walks the mean streets of New York, then later packs up and moves to Los Angeles, where he tools around in a convertible with a car ... See full summary »
Hayden Fox is the head coach of a university football team, and eats, sleeps and lives football. His partner, however, does not share his passion for the sport, which frequently causes ... See full summary »
Craig T. Nelson,
Jerry Van Dyke,
Harry Orwell is a world-weary private investigator who was forced to leave the San Diego Police Department after a bullet became lodged near his spine. He lived on the beach, and, when not working on a current case, spent much of his time fixing up his boat, which was called The Answer. Harry O was unusual in that he didn't own a flashy car in which to conduct high-speed chases, preferring to ride the bus instead. Written by
Marty McKee <firstname.lastname@example.org>
In a 2015 interview, Henry Darrow had great things to say about the show and David Janssen. When asked how he got along with Janssen, he answered: "Wonderfully. He had a marvelous, dry sense of humor. We pulled jokes on each other here and there. When I was being replaced, he waited for me when he finished shooting earlier in the afternoon. We had a few goodbye drinks at the hotel bar." See more »
Harry Orwell was a gumshoe that Dashiel Hammet would appreciate (though he talked a bit more like Philip Marlowe, and his Southern California felt more like Ross MacDonald's.
It's been decades since I saw an episode of Harry O. I remember it having 70's cop show production values (everybody drove Fords). I can't really recall any of the stories. But I remember dialog and mood and characters with many layers. This show's success had less to do with the mystery and more to do with people and fantastic story-telling. You *liked* Orwell and Manny Quinlan. You wish you could meet people like that. You like to think they're out there somewhere, holding up some kind of code of decency in a dirty world. And if you had to have an adversarial relationship with a guy like Trench (the great Anthony Zerbe), at least you knew he was honest and fair and smart.
Those passages of narration were poetry! With Janssen's world-weary delivery it was like a ballad by Sinatra. Sure wish I could see some of these again.
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