When an Irish woman moves from the suburbs to Dublin, she begins receiving phone calls from a stranger. Coincidentally, the city is being plagued by a serial killer who uses this method to ... See full summary »
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
Sgt. Howie travels to Summerisle to investigate the disappearance of a young girl. He discovers that the locals are weird and unhelpful, and becomes determined to get to the bottom of the disappearance. Written by
Sean Taylor <firstname.lastname@example.org>
Despite being set in the Hebrides, which were still largely Gaelic speaking in the 1960s, very little Gaelic appears in the film, and some of the folk customs alluded to are English rather than Scottish, let alone Highland. The Wicker Man, however, is firmly tied in with Druidism. See more »
While Sgt Howie (dressed as Punch) is being chased by the women, you can see autumn leaves on the grass, though the story is set on the first of May. See more »
[Short Version only] A message from the producers thanks "The Lord Summerisle and the people of his island" for co-operating in the making of the film. This is despite both the lord and the island being totally fictitious. See more »
It is somewhat strange that some of the best British films of all time are not very well known outside movie-buff-dom. The Wicker Man is certainly one of them (another is Get Carter).
The Wicker Man is not just technically very well made, with an excellent cast, a glorious cinematography and a gripping script, it goes beyond that. It is one of those rare treats that manage to question your belief system. It lures you into a foreign system of beliefs, it seduces you into sympathising with an act that is - legally speaking - a murder.
It is impossible to categorize the film into a genre. Some have described it as a horror film, which in a strict sense is completely wrong as there are no shock elements here, no gore whatsoever, and just one killing; but in a more relaxed sense this is not such a bad characterisation after all, because the film uses the language of horror films, e.g. permanently hinting at that something mysterious and horrific is going on. Similarly flawed are characterisations as a fantasy film (nothing supernatural) or sci-fi (no science), but the film takes a little bit each from the flavour of these genres.
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