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Sgt. Howie travels to Summerisle to investigate the disappearance of a young girl. He discovers that the locals are weird and unhelpful, and becomes determined to get to the bottom of the disappearance. Written by
Sean Taylor <email@example.com>
The final song, sung by the islanders around the sacrifice, is a thirteenth century 'reverdie' song celebrating the return of Spring. It would typically, as in this case, be sung in the round e.g. it keeps repeating over and over with different singers joining in at different stages: 'Sumer is i-comen in! Ludé [louder] sing cuckoo! Groweth sed [seed] and bloweth med [mead, plants in the meadow] and springeth the wood nu! [new]! Sing cuckoo nu, sing cuckoo' etc. See more »
Despite being set in the Scottish Highlands, and the Hebrides, many of the traditions alluded to are English, rather than Scottish. See more »
[Short Version only] A message from the producers thanks "The Lord Summerisle and the people of his island" for co-operating in the making of the film. This is despite both the lord and the island being totally fictitious. See more »
Superb acting from Edward Woodward as the prim Seargant Howie, and Christopher Lee as Lord Summerisle. Fascinating from start to finish and a real twister of a plot that keeps you hooked right until the final twenty minutes, what appears at first sight to be an innocent search for a missing girl turns into a fascinating exploration of pagan rituals on a remote and sex obsessed Scottish island.
One of the best elements of the film is the classic early 70's folk soundtrack which gives indication of how the era in which this was filmed influenced the subject matter.
Definitely not a 'horror' in the true sense of the word, but more mysterious and chilling than any gore-fest. A quality piece of cinema!
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