A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Mourning his dead child, a haunted Vietnam War veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
Sgt. Howie travels to Summerisle to investigate the disappearance of a young girl. He discovers that the locals are weird and unhelpful, and becomes determined to get to the bottom of the disappearance. Written by
Sean Taylor <firstname.lastname@example.org>
In 2003, the Crichton Campus of the University of Glasgow in Dumfries, Dumfries and Galloway hosted a three-day conference on the film. The conference led to two collections of articles about the film. See more »
Most of the "naked" girls dancing in the stone circle and jumping over the fire are wearing flesh-colored body stockings (the film was shot in autumn and not in spring as it was set, and thus was very cold). See more »
[Short Version only] A message from the producers thanks "The Lord Summerisle and the people of his island" for co-operating in the making of the film. This is despite both the lord and the island being totally fictitious. See more »
Drawn to a small Scottish Island by a letter pleading for help in finding a kidnapped girl, Sergeant Neil Howie realises that things are very different from life on the mainland. He begins to suspect that Rowan's disappearance may be part of a ritual to appease the nature gods worshipped on the island.
Well known now as one of the best British horror cult movies (one critic called it `the Citizen Kane of British horror') this film still stands today as new generations discover it's ending and fall in love with that. Sadly, most people know the ending before they have actually seen the film, which, in my mind, greatly takes away from the film's impact. For that reason I will make no mention of the ending's detail suffice to say that it works very well and actually raises the rest of the film.
The main body of the film sees Howie hunting for the missing girl and finding that things are not as simply as he originally thinks. The film comes across as a sort of spiritual musical for the most part and doesn't really bring out the tension or suspicions until near the end. The downside of this is that parts of the film appear slightly dull or meandering. I did get a little tired with the overuse of naturalist religious images but I accept that they were necessary for the story to be built.
The cast are very good. Lee was happy to do a film that brought him away from the camp Hammer horror mould into which he had been set. His Lord Summerisle is an image of cold, religious zealotry terrifying in his portrayal of evil as part of `the right thing'. Woodward is also cast against type as he was a harder man in much of his work rather than a pure upright type. Ekland is good but is dubbed the whole way through the film to give her a Scottish accent in place of her own distinctive Swedish one. Of the cast it is Lee and Woodard who carry the film their scenes together work well and they also carry the opposing moral weights of the story.
Overall this is a film that has had a reputation built on it's ending, and for that it is well deserved. However for the majority of the film the pacing is a little off and I felt that the songs slowed the film down too much. Overall the film works due to it's set-up and payoff, however it's delivery as a total film is not as good as it's reputation would have you believe.
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