A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
A small and thin barefoot slave (played by Polanski) plays a flute and beats a drum to entertain his large master who rocks in a rocking chair in front of his mansion. The slave jumps and ... See full summary »
A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed version of "Alice in Wonderland", with Marcello Mastroianni as the maddest of mad hatters and Roman Polanski a kinky March hare. Written by
Dan Navarro <email@example.com>
When producer Robert Evans was trying to coax Roman Polanski to direct Chinatown (1974), he found Polanski thoroughly absorbed with this film, to the extent that he had bought a 50% share in it. Evans eventually lured Polanski by saying that whatever "What" made in its opening week, he would pay him as his salary for directing "Chinatown". Polanski readily agreed to this, expecting "What" to do well as he considered it the best thing he had done up to that point. Unluckily for Polanski, "What" only grossed $64 on its first week. See more »
Nancy's hands are well manicured throughout the movie, but quite ordinary during close-ups, when she's supposedly playing the piano. See more »
While this is certainly not one of Polanski's finest, it is admittedly a damn funny effort. As a warning, don't expect any real substance to this film. It's ridiculous and trivial, but there are laughs throughout. "What?" fills the gap for those who get a kick out of 70's porn plots, but get bored during the sex scenes. This being said, know that it can easily offend. Expect a movie that will get giggles out of a rape scene. It is a no holds barred comedy that breaks ground that "Happiness" will sweep in to master.
Polanski combines his psychedelic absurdity of "The Magic Christian" with the stark strangeness that he would later delve into in "The Tenant." It is a valiant attempt to create a surreal sexual comedy. For most films, the lack of any depth to the characters will turn away even the most devoted viewer; but "What?" creates entertaining caricatures that bobble and bump into one another, with surprisingly charming results. It is difficult to say whether this is a good film or not, albeit it is shot beautifully, and leaves the viewer with many a chortle, but compared to the brilliance of his other films it seems a bit empty. The film can be best likened to a scarred and matted alley cat that loves to come and visit. It is rough on the edges and not nice to the touch, but the affection it gives leaves the soft spots all the more appealing.
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