7.9/10
3,848
24 user 69 critic

Welt am Draht (1973)

Not Rated | | Crime, Mystery, Sci-Fi | TV Movie 14 October 1973
Somewhere in the future there is a computer project called Simulacron one of which is able to simulate a full featured reality, when suddenly project leader Henry Vollmer dies. His ... See full summary »

Writers:

(novel), (teleplay) | 1 more credit »

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1 win. See more awards »
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Cast

Cast overview, first billed only:
...
...
Gloria Fromm
...
Eva Vollmer
...
Herbert Siskins (as Karl-Heinz Vosgerau)
Wolfgang Schenck ...
Franz Hahn
Günter Lamprecht ...
Fritz Walfang
...
Rupp, Journalist
...
Professor Henri Vollmer (as Adrian Hooven)
...
Günther Lause
...
Hans Edelkern
...
Mark Holm
...
Maya Schmidt-Gentner
Ingrid Caven ...
Uschi, secretary
...
Einstein
Rudolf Lenz ...
Hartmann
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Storyline

Somewhere in the future there is a computer project called Simulacron one of which is able to simulate a full featured reality, when suddenly project leader Henry Vollmer dies. His successor Dr. Fred Stiller experiences odd phenomena. A good friend, Guenther Lause, disappears in the middle of a conversation and a week later nobody has ever heard of him. And those fits of dizzyness - Stiller cannot believe himself to be fool. There has to be an explanation for all this. Could Simulacron have something to do with it? Written by Oliver Heidelbach

Plot Summary | Add Synopsis

Genres:

Crime | Mystery | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 October 1973 (West Germany)  »

Also Known As:

World on a Wire  »

Box Office

Budget:

DEM 950,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(2 parts)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Writer/Director Rainer Werner Fassbinder's only work of Science Fiction. See more »

Goofs

In the beginning of Part 1 around the 7:10 mark as the camera does a long pull away from Professor Vollmer and Lause, a crewman's (possibly the camera operator) shoe can be seen reflected in the mirrored pedestal with the bust on top of it in the right hand bottom corner of the screen. See more »

Quotes

Fred Stiller: You're not Fritz Walfang. You're Einstein. My God, what is this?
Einstein: [Disguised as Fritz Walfang] Let me go, please! Don't send me back. It's my only chance. I want to be a human being. And I will. This is the first step. I'll make the next one, too. Into the real world.
Fred Stiller: What do you mean? This is the real world...
Einstein: That's what you think. But the truth is this world, which you take for reality, is only a simulation model of the real world. Fred Stiller, the big computer boss. You're nothing but a mass...
[...]
See more »

Connections

References Dishonored (1931) See more »

Soundtracks

Albatross
Music: Peter Green (as Peter Alan Green)
performed by: Fleetwood Mac
Produced by Mike Vernon
Courtesy Sony Music Entertainment Germany
See more »

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User Reviews

 
Not one of Fassbinder's best works, but it's certainly interesting, and the visuals are exceptional
18 August 2013 | by (Saint Paul, MN) – See all my reviews

Recently rediscovered TV film made by Fassbinder in the mid-70s, it's an early film dealing with the sci-fi concept of virtual reality. The subject became really popular in the late 90s with the mega-hit The Matrix and several other more cultish flicks like Dark City, eXistenZ and The Thirteenth Floor (which was actually based on the same novel as World on a Wire). This is notably less cheesy than a lot of 70s sci-fi, though 70s styles are ever-present in the decor. I don't know if I'd say it's as fun as some of those cheesy 70s sci-fis, though. The film is split into two parts, and, as a whole, runs about three and a half hours. They probably could have cut it down a lot, because it really drags at times. The one thing I really love about it is the visuals. It might be Fassbinder's most visually resplendent work. I doubt someone watching it on a television screen in 1973 (probably the great majority watched it in black and white) could have appreciated the gorgeousness of it. The Criterion Blu Ray is gorgeous and very unique looking. As long as it was, the visuals always kept me enthralled. Like a lot of early Fassbinder films, it's a bit dry and could use some more interesting characters - he became a much better director starting around this same time when he started embracing melodrama.


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