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The Way We Were (1973)

 -  Drama | Romance  -  19 October 1973 (USA)
7.1
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Ratings: 7.1/10 from 13,505 users  
Reviews: 93 user | 31 critic

Two desperate people have a wonderful romance, but their political views and convictions drive them apart.

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Title: The Way We Were (1973)

The Way We Were (1973) on IMDb 7.1/10

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Won 2 Oscars. Another 5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
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J.J.
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Carol Ann
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George Bissinger
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Paula Reisner
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Rhea Edwards
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Brooks Carpenter
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Bill Verso
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Vicki Bissinger
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Pony Dunbar
Marcia Mae Jones ...
Peggy Vanderbilt
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Actor
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El Morocco Captain
Eric Boles ...
Army Corporal
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Storyline

The movie begins with the Katie (Barbra Streisand) running into Hubbell Gardner, an All-American popular jock she went to college with, some time after World War II. Though some other summaries claim it's been about 20 years, that is not really the case. It's probably been more like 10 years since college and Hubbell has written his first novel and later joined the navy while Katie continues to work hard and remains very much involved in the grassroots level of politics. Katie who had a crush on Hubbell back in college is still very attracted to him and soon the two start an "on again off again" relationship. Eventually Katie ends up giving up her voice and her interest in politics in order to hold on to Hubbell and they get married. However when Hubbell begins to compromise his literary talent by abandoning his novel writing for writing Screenplays for Hollywood their marriage begins its downfall. When the government begins its witch-hunt for communists among Hollywood writers and ... Written by bberry

Plot Summary | Add Synopsis

Plot Keywords:

college | friend | writer | writing | activist | See more »

Taglines:

Everything seemed so important then .. even love! See more »

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

19 October 1973 (USA)  »

Also Known As:

Nuestros años felices  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Warren Beatty was originally offered for the role of Hubbell See more »

Goofs

When Katie and Hubbel are meeting the group shortly after President Roosevelt dies, she makes her "meeting up every 5 years" comment, after that she says to Hubbel "What are we doing here?" When she says that, her lip movements don't match what she's saying. See more »

Quotes

[discussing advocacy for political causes]
Hubbell Gardner: I don't see how you can do it.
Katie Morosky Gardner: And I don't see how you can't
See more »

Connections

Referenced in Secret Admirer (1985) See more »

Soundtracks

Paper Doll
(1915) (uncredited)
Written by Johnny Black
Played on piano and sung by all at a party
Also played in the score a bit
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

When political commitment was stronger than personal commitment
1 August 2001 | by (London, England) – See all my reviews

Barbra Streisand and Robert Redford look wonderful in this great story of doomed love. Character development (or arc) is supposed to be one of the basic elements of a good screenplay; but the whole point of Sydney Pollack's 1973 movie is that neither Katie Moroski nor Hubbell Gardner changes. She remains the serious-minded Jewish left-wing activist, and he the easy-going, politically uncommitted WASP, they are when they first meet in college in 1937. Fascinated with each other precisely because they are such opposites, they have an affair, marry and have a baby; but their inability to compromise - or in his case to stop compromising - leads to break-up.

The main action spans the eventful decade from the Spanish Civil War and New Deal, through WWII, to the McCarthy era, by which time Katie and Hubbell have moved from New York to Hollywood, where he is a screenwriter. Though melodramatic and sketchy, the political dimension of the story should not be underestimated; this is one of the very rare American movies in which a communist is treated sympathetically. Presumably much of this side of the scenario stemmed from the personal experience of writer Arthur Laurents, who was the same age as his protagonists, and who had McCarthy-related problems.

Both stars are perfect for their roles; we can see what they see in each other; and we desperately want it to work for them, though we know it won't! Notable in support are Bradford Dillman, Lois Chiles, and James Woods. The theme song, emotionally delivered by Streisand as only she can, is beautiful, but the relevance of its nostalgic lyric to this clear-eyed movie is doubtful.


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