Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape,...
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In Stockholm, Fanny Hill is tired of being a housewife, and she suspects that her husband Roger, a TV-commercial director who's surrounded by starlets, is cheating on her. So, she sets a ... See full summary »
A bunch of lovely teenage schoolgirls work at a secret brothel where they have sex with high paying older men. After the girls all get arrested for prostitution, several of them discuss how... See full summary »
The sadistic Madam Margareta is a talking side of beef that serves as the hostess and ring leader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces... See full summary »
Anita is a girl of only 16 years, and while she has developed early physically, to a mature woman, she is psychologically completly ruthless. Her relationship the her parents and her ... See full summary »
Maid in Sweden tells the story of Inga, a 16-year-old Swedish girl who leaves her rural home to spend a weekend in the Swedish capital. An innocent with no experience, but with prodigious ... See full summary »
Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh deptictons. Written by
For the most part, this is a run-of-mill softporno, as so often in German films from this period consisting of a number of episodes around a general 'schoolgirl' theme. What makes it unusual though, and interesting from a 1990's perspective, is one episode of extreme political incorrectness. Erich Padalewski plays a paedophile whose selected victims prove more sexually demanding than he can handle. The briefness of this episode increases the mood of nonchalance which is completely absent from similar contemporary American films like Warfield's Teenage Innocence.
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