| Photos (See all 12 | slideshow) |
| Joe Don Baker | ... | Buford Pusser | |
| Elizabeth Hartman | ... | Pauline Pusser | |
| Leif Garrett | ... | Mike Pusser | |
| Dawn Lyn | ... | Dwana Pusser | |
| Noah Beery Jr. | ... | Grandpa Carl Pusser (as Noah Beery) | |
| Lurene Tuttle | ... | Grandma Pusser | |
| Ed Call | ... | Lutie McVey | |
| Dominick Mazzie | ... | Bozo | |
| Lynn Borden | ... | Margie Ann | |
| Brenda Benet | ... | Luan Paxton (as Brenda Benét) | |
| Arch Johnson | ... | Buel Jaggers | |
| Russell Thorson | ... | Ferrin Meaks | |
| Gil Perkins | ... | 1st Bouncer | |
| Carey Loftin | ... | Dice Player | |
| Warner Venetz | ... | Stickman | |
| Gene LeBell | ... | 2nd Bouncer | |
| Del Monroe | ... | Otie Doss | |
| Gene Evans | ... | Sheriff Al Thurman | |
| Bruce Glover | ... | Grady Coker | |
| Don Keefer | ... | Dr. Lamar Stivers | |
| Felton Perry | ... | Obra Eaker | |
| Douglas Fowley | ... | Judge R.W. Clarke (as Douglas V. Fowley) | |
| Lloyd Tatum | ... | Prosecutor | |
| Vaudie Plunk | ... | Jury Foreman | |
| Wanea Wes | ... | Singer | |
| Sam Laws | ... | Willie Rae Lockman | |
| Rosemary Murphy | ... | Callie Hacker | |
| John Brascia | ... | Prentiss Parley | |
| Kenneth Tobey | ... | Augie McCullah | |
| Pearline Wynn | ... | Hassie Berlson | |
| Pepper Martin | ... | Zolan Dicks | |
| Ted Jordan | ... | Virgil Button | |
| Red West | ... | Sheriff Tanner | |
| Andrew J. Pirtle | ... | Prisoner | |
| Logan Ramsey | ... | John Witter | |
| Richard X. Slattery | ... | Arno Purdy | |
| Sidney Clute | ... | Sheldon Levine | |
| John Myhers | ... | Lester Dickens | |
| rest of cast listed alphabetically: | |||
| Lloyd Harris | ... | Doctor in E.R. (uncredited) | |
| Chris Ladd | ... | Bar Patron (uncredited) | |
Directed by | |||
| Phil Karlson | |||
Writing credits(in alphabetical order) | ||
| Mort Briskin | writer | |
| Stephen Downing | writer | |
| John Michael Hayes | uncredited | |
Produced by | |||
| Joel Briskin | .... | associate producer | |
| Mort Briskin | .... | producer | |
| Charles A. Pratt | .... | executive producer | |
Original Music by | |||
| Walter Scharf | |||
Cinematography by | |||
| Jack A. Marta | (director of photography) | ||
Film Editing by | |||
| Harry W. Gerstad | (as Harry Gerstad) | ||
Casting by | |||
| Irving Lande | |||
Production Design by | |||
| Stan Jolley | |||
Costume Design by | |||
| Phyllis Garr | |||
| Oscar Rodriguez | |||
Makeup Department | |||
| Virginia Jones | .... | hair stylist | |
| Jack H. Young | .... | makeup artist | |
Production Management | |||
| Floyd Joyer | .... | production manager | |
| Houseley Stevenson Jr. | .... | post-production supervisor (as Houseley Stevenson) | |
Second Unit Director or Assistant Director | |||
| Ralph E. Black | .... | assistant director (as Ralph Black) | |
| David 'Buck' Hall | .... | assistant director | |
| Mark Sandrich Jr. | .... | second assistant director (as Mark Sandrich) | |
Art Department | |||
| Sam Gordon | .... | properties | |
| Wallace Graham | .... | construction coordinator | |
Sound Department | |||
| David Dockendorf | .... | sound re-recording mixer | |
| Andrew Gilmore | .... | production sound mixer (as Andy Gilmore) | |
| James J. Klinger | .... | sound editor | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
Stunts | |||
| Carey Loftin | .... | stunt coordinator | |
| Gil Perkins | .... | stunt coordinator | |
| Roydon Clark | .... | stunt double: Joe Don Baker (uncredited) | |
Camera and Electrical Department | |||
| Earl Kennedy | .... | chief electrician | |
| Sherman Kunkel | .... | camera operator (uncredited) | |
Music Department | |||
| Else Blangsted | .... | music editor | |
Transportation Department | |||
| James D. Brubaker | .... | transportation coordinator (as Jim Brubaker) | |
Other crew | |||
| Hazel W. Hall | .... | script supervisor (as Hazel Hall) | |
| John Pommer | .... | production executive (as John E. Pommer) | |
| Buford Pusser | .... | technical advisor | |
| Maury Foladare | .... | unit publicist (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Wow, the previous reviewer really had issues with this film! Judging from his/her use of overly-descriptive adjectives, I'd say he/she was looking down their nose, even before they entered the theatre.
"It coincided with the beginning of a sordid bottom period in the social and intellectual history of the United States from which the nation has yet to recover."
Whoa! Where'd that come from !? For starters, that wasn't the beginning of any bottom period for this country. I'm not even sure what context he/she is referring to. If it's violence in society, then you need to roll the clock back 10, 20 or more years to find the bottom. Sounds like someone lived in a glass house during the McCarthy-era, JFK's assassination, Vietnam, MLK's assassination - and that's just going back 10-20 years! Dip back further into the early part of the century, when the country was involved in labor fights (of which I highly recommend watching "Matewan One", a movie about unionizing coal miners of West Virginia back in the 20's or 30's).
Sorry to digress. Here's my take on Walking Tall:
I watched this the other night and was glued to it! Not for the display of violence, but for the fact that this movie is now nearly 30 years old and it's like a time capsule of sorts. Yes, it was a story based on violence, but the real story is how morally bankrupt one town had become, while still functioning as a little town somewhere in America.
Joe Don Baker played an excellent role in being a not-so-nice guy bent on cleaning up the scum of his childhood town. He had been away too long, and when he returned, it was too much for him to handle.
I took to watching this movie lightly. A lot of viewers commented on the social aspects of this, but I took-in all of the surrounding things like the props and scenery. For instance, look how huge those Dodge sedans were! Boats with wheels! The bad hair, bad clothes, especially one scene where his wife is wearing this blouse that has about 4 different contrasting patterns on it. Truly Seventies Americana.
As mentioned in another post, the boom operator must have been someone's kid helping out on the set, as the mic is shown in many of the scenes. Being an independent company, they must have said the heck with it in the editing room. Not enough money for a re-shoot.
I take this movie with a grain of salt. I was entertained by the time period of it and the acting. This movie belongs in the yet-to-be implemented IMDB genre category of "The Seventies". Hint hint IMDB.