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A surprise hit when it premiered, Walking Tall carried the theme of one man standing up for his sense of right and wrong. Selmer, a small town in southwest Tennessee, served as the authentic background for the bio-pic of the heroic southern Sheriff. Joe Don Baker did an admirable job with the role, and the hugely violent film was a surprise hit. Former Sheriff Pusser himself was set to potray himself in the sequel, but he died in a car crash as he as returning from his contract signing in California. The sequel was filmed using Swedish actor Bo Swensen, and a Final Chapter triquel told of Pussers' demise. While the Walking Tall franchise will never be on any list of Classic Film, the original is a great slice of Americana, Circa '70s. It made Bakers' career and perhaps kicked the 'southsploutation' genre of that decade into gear. Written by
All you folks complaining that this is amateur film-making because the boom is visible in several shots don't understand how movies are made. In order to get good sound on dialog, the mike is hung very close to the subject. It is almost always captured on film, but in the area which is not meant to be seen by an audience, as the square film frame is supposed to be matted at top and bottom by the projectionist when shown in a theater, or by the technician when transferring film to video.
In the case of Walking Tall, whoever supervised the transfer to video did so "open matte", meaning they transfered the ENTIRE film frame without proper matting, hence the visible boom. This was not carelessness on the part of the filmmakers, but on the part of whoever put it out on video. You'd see microphone booms in Star Wars if it were transfered to video this way.
When I saw Walking Tall in the theater, it did not have visible booms. Blame the video release, not the filmmakers.
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