This is the story of Buford Pusser's final days, not only of his life but also as Sheriff. It seems that times are changing and the people of Pusser's town, who once adored him are now ... See full summary »
Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
Jim Brannigan is sent to London to bring back an American mobster who is being held for extradition but when he arrives he has been kidnapped which was set up by his lawyer. Brannigan in ... See full summary »
Joe Huff is a tough, go-it-alone cop with a flair for infiltrating dangerous biker gangs. The FBI blackmail Joe into an undercover operation to convict some extremely violent bikers, who ... See full summary »
Craig R. Baxley
Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, ... See full summary »
Buford Pusser's a wrestler, whose wife wants him to settle down, so they go to his home town in Tennessee, where he plans to get into business with his father. But he is shocked to discover all sorts of graft and corruption going on. And when he is a victim of it and decides to strike back by running against the corrupt sheriff. And he wins and wages his own little war against them. Written by
Many residents of McNairy County were upset and turned their back on Sheriff Buford Pusser when the movie was shot in neighboring Chester County, shutting them out of the money being spent by the production. Pusser subsequently lost re-election for Sheriff. See more »
In the final scenes where Sheriff Pusser drives a police car to the Lucky Spot, just before he arrives, in the long shot of him driving down the highway, the patrol car has red lights on it's roof. When he arrives and drives the car through the bar, the car has blue lights. See more »
[Seeking Obra's advice]
Yup... Do not beat your head against the wall, cause it will probably fall on ya. Two, Lone wolves are easy prey... Organized, there's strength and unity... And three, you are a damn fool Buford, for tryin' to do what I know you goin' to.
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Wow, the previous reviewer really had issues with this film! Judging from his/her use of overly-descriptive adjectives, I'd say he/she was looking down their nose, even before they entered the theatre.
"It coincided with the beginning of a sordid bottom period in the social and intellectual history of the United States from which the nation has yet to recover."
Whoa! Where'd that come from !? For starters, that wasn't the beginning of any bottom period for this country. I'm not even sure what context he/she is referring to. If it's violence in society, then you need to roll the clock back 10, 20 or more years to find the bottom. Sounds like someone lived in a glass house during the McCarthy-era, JFK's assassination, Vietnam, MLK's assassination - and that's just going back 10-20 years! Dip back further into the early part of the century, when the country was involved in labor fights (of which I highly recommend watching "Matewan One", a movie about unionizing coal miners of West Virginia back in the 20's or 30's).
Sorry to digress. Here's my take on Walking Tall:
I watched this the other night and was glued to it! Not for the display of violence, but for the fact that this movie is now nearly 30 years old and it's like a time capsule of sorts. Yes, it was a story based on violence, but the real story is how morally bankrupt one town had become, while still functioning as a little town somewhere in America.
Joe Don Baker played an excellent role in being a not-so-nice guy bent on cleaning up the scum of his childhood town. He had been away too long, and when he returned, it was too much for him to handle.
I took to watching this movie lightly. A lot of viewers commented on the social aspects of this, but I took-in all of the surrounding things like the props and scenery. For instance, look how huge those Dodge sedans were! Boats with wheels! The bad hair, bad clothes, especially one scene where his wife is wearing this blouse that has about 4 different contrasting patterns on it. Truly Seventies Americana.
As mentioned in another post, the boom operator must have been someone's kid helping out on the set, as the mic is shown in many of the scenes. Being an independent company, they must have said the heck with it in the editing room. Not enough money for a re-shoot.
I take this movie with a grain of salt. I was entertained by the time period of it and the acting. This movie belongs in the yet-to-be implemented IMDB genre category of "The Seventies". Hint hint IMDB.
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