Voices (1973)

Director:

Kevin Billington

Writers:

Robert Enders (writer)
George Kirgo (writer)

Genre:

Drama | Horror | Thriller

Plot:

After her young son accidentally drowns, a woman has a breakdown and is finally placed in a mental hospital...

Plot Keywords:

Independent Film | Based On Play

Cast

David Hemmings	...	Robert
Gayle Hunnicutt	...	Claire
Lynn Farleigh	...	The Mother
Peggy Ann Clifford	...	The Medium
Eva Griffiths	...	Jessica, the little girl
Russell Lewis	...	John, the little boy
Adam Bridge	...	David, Robert & Claire's son

Also Known As:

Nightmare

Runtime:

91 min

Country:

UK

Language:

English

Color:

Color

Company:

Hemdale Film

Trivia:

The original Broadway production of "Voices" by Richard Lortz opened at the Ethel Barrymore Theater on April 3, 1972 and ran for 8 performances.

Obscure thriller has a great atmosphere.

This movie is quite difficult to locate, which is a shame for horror fans. In the past couple of years, more sophisticated films such as "What Lies Beneath" and "The Sixth Sense" have been giving scary movies a good name. "Voices" is from this class of thriller because it achieves its shocks through the use of story and character interaction, with an ending that leaves you wondering and frightened for days. It is a simple story about a young British couple who want to get away for a short, romantic vacation in a secluded area of rural England. The destination is unfamiliar to both, and the journey there is ripe with dialogue so realistic and ordinary (plain conversation, arguments, reconciliations) that one might initially think "Voices" is an arty, ad-libbed drama as opposed to a horror flick. This mundane aspect is all a ploy to throw the viewer off, however. Once the young lovers find the vacation house, the mood shifts eerily and the sense of something threatening and supernatural surrounds the couple. They become frustrated, confused and hateful towards each other as their romantic weekend slips through their fingers amidst a haunting neither one can identify. The audience are left equally bewildered, because there is no standard, knife-wielding lunatic creeping outside,and there is no demon locked in the cellar. There is merely this sense of accelerating decline in the characters that is fascinating to observe, and we find ourselves needing to know what happened en route that has resulted in this bizarre situation. Ultimately, the final ten minutes of the film answers all of our questions and makes the subtleties we were puzzling over seem more profound...and the couple themselves discover it as we do, with just as much sense of terror.

Submitted by Penny Dreadful, Halifax, Nova Scotia.