IMDb > Last Tango in Paris (1972)
Ultimo tango a Parigi
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Last Tango in Paris (1972) More at IMDbPro »Ultimo tango a Parigi (original title)

Photos (See all 35 | slideshow) Videos (see all 5)
Last Tango in Paris -- A young Parisian woman begins a sordid affair with a middled-aged American businessman whom lays out ground rules that their clandestine relationship will be based only on sex.
Last Tango in Paris -- Clip: It Begins Again
Last Tango in Paris -- Clip: Not Knowing
Last Tango in Paris -- Clip: No Names

Overview

User Rating:
7.2/10   30,882 votes »
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Writers:
Contact:
View company contact information for Last Tango in Paris on IMDbPro.
Release Date:
7 February 1973 (USA) See more »
Genre:
Plot:
A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 2 Oscars. Another 7 wins & 6 nominations See more »
User Reviews:
Last Tango in Paris will return to you any thought you put into it...A masterpiece! See more (172 total) »

Cast

  (in credits order) (verified as complete)

Marlon Brando ... Paul

Maria Schneider ... Jeanne
Maria Michi ... Rosa's Mother / La mère de Rosa
Giovanna Galletti ... Prostitute / La prostituée
Gitt Magrini ... Jeanne's Mother / La mère de Jeanne
Catherine Allégret ... Catherine (as Catherine Allegret)
Luce Marquand ... Olympia
Marie-Hélène Breillat ... Monique (as Marie-Helene Breillat)

Catherine Breillat ... Mouchette
Dan Diament ... TV Sound Engineer / L'ingénieur du son
Catherine Sola ... TV Script Girl / La script-girl
Mauro Marchetti ... TV Cameraman / Le cameraman

Jean-Pierre Léaud ... Tom - un cinéaste, le fiancé de Jeanne (as Jean-Pierre Leaud)

Massimo Girotti ... Marcel
Peter Schommer ... TV Assistant Cameraman / L'assistant-opérateur
Veronica Lazar ... Rosa
Rachel Kesterber ... Christine
Ramón Mendizábal ... Tango Orchestra Leader / Le chanteur de l'orchestre de tango
Mimi Pinson ... President of Tango Jury / Le président du concours de tango
Darling Légitimus ... La concierge
Gérard Lepennec ... Un déménageur
Stéphan Koziak ... Un déménageur
Armand Abplanalp ... Prostitute's Client / Le client de la prostituée
rest of cast listed alphabetically:
Laura Betti ... Miss Blandish (scenes deleted)
Jean-Luc Bideau ... Le capitaine de la péniche (scenes deleted)
Michel Delahaye ... Bible Salesman / Le vendeur de bibles (scenes deleted)
Gianni Pulone ... Man on street (scenes deleted)
Franca Sciutto ... Woman on street (scenes deleted)

Directed by
Bernardo Bertolucci 
 
Writing credits
Bernardo Bertolucci (story)

Bernardo Bertolucci (screenplay) and
Franco Arcalli (screenplay)

Agnès Varda (adaptation: French dialogue) (as Agnes Varda)

Jean-Louis Trintignant  dialogue collaborator

Produced by
Alberto Grimaldi .... producer
 
Original Music by
Gato Barbieri (music composed by)
 
Cinematography by
Vittorio Storaro (director of photography)
 
Film Editing by
Franco Arcalli 
Roberto Perpignani 
 
Production Design by
Philippe Turlure 
 
Set Decoration by
Philippe Turlure 
 
Costume Design by
Gitt Magrini 
 
Makeup Department
Maud Begon .... makeup artist
Iole Cecchini .... hairdressing (as Jole Cecchini)
Phil Rhodes .... makeup artist (as Philip Rhodes)
 
Production Management
Gérard Crosnier .... production manager: France (as Gerard Crosnier)
Mario Di Biase .... production manager
Enzo Ocone .... post-production supervisor
Francis Peltier .... assistant production manager
Enzo Provenzale .... production supervisor
 
Second Unit Director or Assistant Director
Franco Arcalli .... third assistant director
Jean-David Lefebvre .... second assistant director (as Jean David Lefebvre)
Fernand Moszkowicz .... assistant director
 
Art Department
Maria Paola Maino .... set designer
Maria Paola Maino .... set dresser
Albert Rajau .... assistant set designer
Ferdinando Scarfiotti .... supervising set designer
Philippe Turlure .... set dresser
 
Sound Department
Fausto Ancillai .... sound mixer: English version
Luciano Anzellotti .... sound effects (as Luciano Anzelotti)
Massimo Anzellotti .... sound effects editor
Michael Billingsley .... sound editor
Antoine Bonfanti .... sound engineer
 
Camera and Electrical Department
Luigi Bernardini .... first assistant camera
Luciano Galli .... gaffer
Alfredo Marchetti .... key grip
Mauro Marchetti .... assistant cameraman
Alberico Novelli .... electrician
Angelo Novi .... still photographer
Enrico Umetelli .... cameraman
 
Editorial Department
Gabriella Cristiani .... assistant editor
Ernesto Novelli .... printing supervisor
Elvio Sordoni .... assistant editor
 
Music Department
Gato Barbieri .... performer: saxophone solo
Oliver Nelson .... conductor
Oliver Nelson .... music arranger
 
Other crew
Suzanne Durrenberger .... script supervisor (as Suzanne Durremberger)
Maurizio Forti .... production accountant
Alberto Grimaldi .... presenter
José Lichtig .... production accountant (as Jose Lichtig)
Ginette Mejinsky .... production secretary
Christian Ferry .... development (uncredited)
 
Thanks
Francis Bacon .... acknowledgment: titles background made with the kind permission of (as Mr. Francis Bacon)
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Ultimo tango a Parigi" - France (original title)
See more »
MPAA:
Rated NC-17 for some explicit sexual content (re-rating) (1997)
Runtime:
129 min | USA:127 min (R-rated version)
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.75 : 1 See more »
Sound Mix:
Certification:
Argentina:X (original rating) | Argentina:18 (re-rating) | Australia:R | Brazil:14 | Canada:R (Manitoba/Nova Scotia/Ontario) | Canada:18+ (Quebec) | Chile:18 | Finland:K-18 | France:-16 | Germany:16 (re-rating) (2000) (uncut) | Ireland:18 | Italy:VM18 (original rating) (cut) | Italy:VM14 (cut version) (1988) | Italy:VM18 (re-rating) (1987) (uncut) | Italy:(Banned) (1972-1987) | Netherlands:18 (orginal rating) | New Zealand:(Banned) (original rating) | New Zealand:R18 (re-rating) | Norway:18 | Portugal:M/18 | Portugal:(Banned) (1973-1974) | Singapore:(Banned) | South Korea:(Banned) (original rating) | South Korea:18 (re-rating) (1996) (uncut) | Sweden:15 | UK:X (original rating) (cut) | UK:18 (video rating) (1988) (uncut) | USA:R (cut version: 1981) | USA:X (original rating: 1973) | USA:NC-17 (re-rating) (1997) | USA:X (re-rating) (1982) | West Germany:18 (original rating) (cut)

Did You Know?

Trivia:
The movie's line "Go, get the butter." was voted as the #67 of "The 100 Greatest Movie Lines" by Premiere in 2007.See more »
Goofs:
Crew or equipment visible: In the final scene, as the camera pulls away from the balcony, you can clearly see a crew member and a lighting array reflected in the glass panel of the right balcony door.See more »
Quotes:
[first lines]
Paul:[with his hands over his ears at the overwhelming sound of a passing train] Fucking GOD!
See more »
Movie Connections:
Referenced in "Psych: Lassie Jerky (#7.3)" (2013)See more »
Soundtrack:
Girl in BlackSee more »

FAQ

This FAQ is empty. Add the first question.
53 out of 71 people found the following review useful.
Last Tango in Paris will return to you any thought you put into it...A masterpiece!, 21 December 2004
Author: ACitizenCalledKane from United States

Bernardo Bertolucci's Last Tango in Paris is like any other piece of art; You get out of it only as much as you put into it. Many people saw this movie in the 1970's (and still see it today) as being pornography and nothing else. Others viewed it and took note of Brando's performance (how could you not?!?), and noticed much, much more than a mere "skin flick." Personally, I find it to be a very important piece of art. Why? Because it broke barriers! In art, barriers only exist so that they may be broken, and I know that sounds like some "liberal artsy BS," but I think it's true. Artists are always trying to get down to the basics of human existence, and, unfortunately, it's not always pretty. This film, I believe, portrays a few elements of the human experience. Passion is the first. Then, facades, our need to defend ourselves from vulnerability. Also, the film tries to show the circular nature of our lives (things end only to begin again). The passion is expertly exposed through the savage brutality that Brando brings to the performance, as only he knew how to. Many argue that this was Brando's finest performance, and I can see why. I don't know if I could ever pick one performance of his and say it was his best, but this would easily, easily be a prime candidate. In Last Tango in Paris, Marlon Brando pulls out all of the stops, almost abusing his freedom in the role. Yet, this is where the film gets truly intriguing. Is this an act? It is, at least in name, a performance, but, how much of it is a performance, and how much is a stream of consciousness therapy session? I have never seen an actor pour so much of himself out before a camera. Watching it, I couldn't help but wonder, "What must be going on behind his eyes?" How can a man reveal so much of who he is, knowing that it is being filmed to be viewed by millions? Brando's "performance" forces the audience to question is Marlon Brando the performer or the performance. We'll never know. Perhaps he didn't know. Perhaps that is how he could pull off the monumental performance that he did. It is quite possibly the greatest performance I have ever seen. The fact that I have to wonder whether his character, Paul, is the truth or an image is only testament to Brando's power. As far as the circular nature of things, we see a role-reversal between Maria Schneider and Marlon Brando. At the beginning, it is Brando who is confused, lost, driven mad by the toll that a past love has taken on him. Yet, at the end of the film, it is Schneider's Jeanne who cares not about names, identity, and personal histories. Her life is committed to distance and emotional isolation. Her mind has confined itself to that little apartment where intimacy knew no bounds, except the publicity of a painful outside world. A million questions could be asked about these two central characters. What was going on in their minds? Who was more fragile, the tormented Paul, or the seemingly carefree Jeanne? Who controlled the relationship? Was there control? Was there a relationship? This film, like all other great films, leaves us asking questions, not only about the characters we've seen, but about the characters we portray on a daily basis.

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Recent Posts (updated daily)User
The age of the voters Despenjaporcs
Here's my problem with this film... sabika-angelz
Maria Schneider circ. 1972 looks like... queenninibean
the ending (spoilers, obvs) cherryghostzero
Who would you cast in a re-make? ava8908
Why is Brando considered such a great actor? ttetpos
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