Titas Ekti Nodir Naam (1973)

Not Rated  |   |  Drama, Family  |  27 July 1973 (Bangladesh)
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Ratings: 7.5/10 from 538 users  
Reviews: 4 user | 11 critic

A 1973 Bangladeshi film it describes the life of the fishermen on the bank of the Titas River in Brahmanbaria, Bangladesh.



(story) (as Advaita Mulya Barman) , (script)
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Credited cast:
Farid Ali
Fakrul Hasan Boiragi ...
Narayan Chakraborty ...
Banani Choudhury ...
Moral ginni
Chetana Das
Ritwik Ghatak ...
Abul Hayat ...
Shafikul Islam ...
Sirajul Islam ...
Magan Sardar
Abul Khair ...
Basanti's father (as M.A. Khair)
Khalil ...
Sadar Miah
Prabir Mitra ...
Kishore (as Probir Mitra)
Golam Mustafa ...
Ramprasad / Kader Miah
Sufia Rustam ...
Rosy Samad ...


A fisherman, Kishore, marries Basanti when he visits a nearby village. After their wedding night (during which the couple is almost too shy to speak), she is kidnapped on the river. When she is found, she has amnesia; although Basanti does not remember her new husband's name or what he looks like, she remembers the name of his village. Ten years pass before she attempts to find him with their son, who sees his mother as a goddess. Some residents of Kishore's village refuse to share food with Basanti and her son because of the ever-present threat of starvation.

Plot Summary | Add Synopsis

Plot Keywords:

river | based on novel | See All (2) »


Drama | Family


Not Rated





Release Date:

27 July 1973 (Bangladesh)  »

Also Known As:

A River Called Titas  »

Company Credits

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Technical Specs


Sound Mix:


(35 mm version)|

Aspect Ratio:

1.37 : 1
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Did You Know?


Director Ghatak appears in the film as a boatman, and Basanti's story is the first of several melodramatic tales. See more »

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User Reviews

A Little on the Technical aspects of Ghatak's 'Titas'.
22 March 2011 | by (Dhaka, Bangladesh) – See all my reviews

I am just trying to justify my rating of the film (9 out of 10) which demands a perusal of its technical excellence.

This film is an adaptation of Adwita Malla Burman's Bengali literary classic under the same title. It is tale of those marginal people belonging to a poorer fishing community who live from hand to mouth. Exploring different sectors of life is one of the most amazing aspects of both the film and the novel.

The film sequences are maintained in parallel to the novel. The film has brilliant editing and that makes it very dynamic and fluent. Fade-ins and fade-outs for transition are used in many cases. The film seems to be gradually acquiring technical sophistry. Fixed frame is used in many cases and the camera movement is kept at a minimal level at the beginning of the film. Panning, tilt-ups and tilt-downs are countable. But this 'apparently' mediocre camera usage could not amputate Ghatak's craftsmanship. Some continuity cuts during the long duration shot of 'Dourer Naw' (Boat for Running Races) certainly deserve positive appraisal. The film has some stunning close ups. They really deserve applause. The close ups are symbolic and very well-articulated.

Negative aspects are minimum but they cannot be overlooked as they have an effect on the film. Sometimes the characters deliver speeches in a word or two in urban Bengali which betray the realism their acting. The film has got only two framing errors. It is the disadvantage of using fixed frame. Moreover the spectators are captured who came to watch the shooting for once (while Basanti was engaged in a fight with her mother) in the film. In another case, probably the prompter is captured or the person may be another spectator while Kader Mian was arguing with his daughter-in-law. The sequences sometimes seem to be incredulously positioned. Moreover, they seem to be hastily pushed towards their respective ends. But Ritwik's crave for stark realism is praiseworthy. Other than these, this film is technically perfect.

The film is a must watch for having a better exposure of the lives of marginal people of a third world country. Technical excellence is another reason to watch this film.

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