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Tiffany Jones (1973)
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Overview
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Director:
Writer:
Alfred Shaughnessy (writer)
Release Date:
August 1976 (USA)
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Plot:
Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein. | add synopsis
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Neither One Thing Nor The Other
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Cast
(Cast overview, first billed only)| Anouska Hempel | ... | Tiffany Jones | |
| Ray Brooks | ... | Guy | |
| Susan Sheers | ... | Jo | |
| Eric Pohlmann | ... | President Boris Jabal | |
| Martin Benson | ... | Petcek | |
| Damien Thomas | ... | Prince Salvator | |
| Alan Curtis | ... | Marocek | |
| Bill Kerr | ... | Morton | |
| Richard Marner | ... | Vorjak | |
| John Clive | ... | Stefan | |
| Geoffrey Hughes | ... | Georg | |
| Ivor Salter | ... | Karatik | |
| Lynda Baron | ... | Anna Karokin | |
| Nick Zaran | ... | Anton | |
| Martin Wyldeck | ... | Brodsky |
Additional Details
Also Known As:
Tales of Tiffany Jones (USA) (video title)
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Runtime:
USA:90 min
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Trivia:
Based on a cartoon strip in the British newspapers Daily Sketch and Daily Mail by Pat Tourret and Jenny Butterworth
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Soundtrack:
Tiffany Jones
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| Full cast and crew | Company credits | IMDb Comedy section |
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The original Tiffany Jones newspaper strip won plaudits for its wit and style. Written and drawn by two female fashion journalists, it told of the exploits of a glamorous model, Tiffany, and her friends Jo and boyfriend Guy, and epitomised the free spirit of 'Swinging London'. Unfortunately this seems to have been completely jettisoned in this rather tedious adaptation. Instead poor Jo and Guy are relegated to a brief appearance at the start of the film, and then disappear for the duration. Tiffany gets embroiled in an attempt by a deposed foreign royal to overthrow the dictatorship which has taken over his country. The makers of the film seem unsure how seriously they should take the story, and how much sex and nudity (which is after all the only reason most people will be watching) to throw into the mix. One can only speculate what Fiona Richmond's producers, makers of probably the best looking sex films of the period, would have done with this story. Or how it would have been handled by the more low-brow creators of the 'Confessions' or 'Adventures' films; doubtless the clothing would have been lost with more panache than happens here. Anouska Hempel does not have the knowing sexuality of a Fiona, nor does she have the dizzy wide-eyed innocence which might also have worked. Instead she is reduced to reacting to everything that happens to her as if it was an everyday occurrence. The viewer is left with a feeling of regret for what might have been.