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Tiffany Jones (1973)

R  |   |  Comedy  |  August 1976 (USA)
5.1
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Ratings: 5.1/10 from 82 users  
Reviews: 2 user | 2 critic

Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein.

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(screenplay), (characters), 1 more credit »
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Title: Tiffany Jones (1973)

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Cast

Cast overview, first billed only:
Anouska Hempel ...
Ray Brooks ...
Guy
Susan Sheers ...
Jo
Damien Thomas ...
Salvator
...
...
Vorjak
Martin Benson ...
Petcek
Alan Curtis ...
Marocek
John Clive ...
Stefan
...
Georg
Ivor Salter ...
Karatik
Lynda Baron ...
Anna Karokin
Nick Zaran ...
Anton
Walter Randall ...
Jan
Martin Wyldeck ...
Brodsky
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Storyline

Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

R | See all certifications »
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Details

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Language:

Release Date:

August 1976 (USA)  »

Also Known As:

Tales of Tiffany Jones  »

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Did You Know?

Trivia

Based on a cartoon strip in the British newspapers Daily Sketch and Daily Mail by Pat Tourret and Jenny Butterworth See more »

Soundtracks

Tiffany Jones
Written by Norman Newell and Cyril Ornadel
Sung by Mike Sammes (as The Mike Sammes Singers)
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User Reviews

 
Neither One Thing Nor The Other
12 April 2006 | by (Swindon, UK) – See all my reviews

The original Tiffany Jones newspaper strip won plaudits for its wit and style. Written and drawn by two female fashion journalists, it told of the exploits of a glamorous model, Tiffany, and her friends Jo and boyfriend Guy, and epitomised the free spirit of 'Swinging London'. Unfortunately this seems to have been completely jettisoned in this rather tedious adaptation. Instead poor Jo and Guy are relegated to a brief appearance at the start of the film, and then disappear for the duration. Tiffany gets embroiled in an attempt by a deposed foreign royal to overthrow the dictatorship which has taken over his country. The makers of the film seem unsure how seriously they should take the story, and how much sex and nudity (which is after all the only reason most people will be watching) to throw into the mix. One can only speculate what Fiona Richmond's producers, makers of probably the best looking sex films of the period, would have done with this story. Or how it would have been handled by the more low-brow creators of the 'Confessions' or 'Adventures' films; doubtless the clothing would have been lost with more panache than happens here. Anouska Hempel does not have the knowing sexuality of a Fiona, nor does she have the dizzy wide-eyed innocence which might also have worked. Instead she is reduced to reacting to everything that happens to her as if it was an everyday occurrence. The viewer is left with a feeling of regret for what might have been.


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