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Summer Wishes, Winter Dreams (1973)
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Overview
User Rating:
Director:
Writer:
Stewart Stern (writer)
Release Date:
9 September 1974 (Sweden)
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Plot:
Rita, a middle aged New York City homemaker, finds herself in an emotional crisis which forces her to re-examine her life...
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Awards:
Nominated for 2 Oscars.
Another 5 wins
&
4 nominations
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User Comments:
Marvelous acting
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Cast
(Cast overview, first billed only)| Joanne Woodward | ... | Rita Walden | |
| Martin Balsam | ... | Harry Walden | |
| Sylvia Sidney | ... | Mrs. Pritchett | |
| Tresa Hughes | ... | Betty Goody | |
| Dori Brenner | ... | Anna | |
| Ron Richards | ... | Bobby Walden | |
| Win Forman | ... | Fred Goody | |
| Peter Marklin | ... | Joel | |
| Nancy Andrews | ... | Mrs. Hungerford | |
| Minerva Pious | ... | Woman in Theatre | |
| Sol Frieder | ... | Man in Theatre | |
| Helen Ludlam | ... | Grandmother | |
| Grant Code | ... | Grandfather | |
| Gaetano Lisi | ... | Student in Theatre | |
| Lee Jackson | ... | Carl |
Additional Details
Parents Guide:
Runtime:
93 min
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Color:
Color (Technicolor)
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Fun Stuff
Movie Connections:
Features Smultronstället (1957)
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By the early 1970's, films had become more personal and character studies were emerging on the screen. Such is the case with "Summer Wishes, Winter Dreams." At first glance, the film seems to be about Rita (Joanne Woodward) coping with the sudden and awful death of her mother (the wonderful Sylvia Sidney). The film then shifts to the apparently empty marriage between Rita and her husband Harry (Martin Balsam). They travel to Europe, where emotions and past resentments come to the foreground. Rita has much guilt about her son, who apparently wants nothing to do with her or Harry - we find out he is gay, but never the exact reasons why he can't stand either of them! (The son is seen only in flashbacks). Harry has a very emotional reaction while visiting Bastogne, where he fought in WWII. Rita has a breakdown in a London subway tunnel, apparently imaging she has seen her dead mother. Harry and Rita's daughter seems to have no purpose in the film except to be sanctimonious and shrill. This is not a perfect film, and at times the script jumps around. There are a few things that don't quite jive. There seems to be a lot of Freudian type psycho babble in the film (which was popular at the time). But it is the fine performance of Joanne Woodward that shines here. Ms. Woodward is one of the best actresses ever to grace the American cinema. Martin Balsam is in fine form here too. A quiet little film worth watching.