IMDb > Sugar Cookies (1973)
Sugar Cookies
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Sugar Cookies (1973) More at IMDbPro »


Overview

User Rating:
4.9/10   276 votes »
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Down 11% in popularity this week. See why on IMDbPro.
Director:
Writers:
Theodore Gershuny (writer)
Lloyd Kaufman (writer)
Contact:
View company contact information for Sugar Cookies on IMDbPro.
Genre:
Tagline:
Men will be shocked! Women will understand! See more »
Plot:
A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge. | Add synopsis »
User Reviews:
Original, innovative, suspenseful See more (9 total) »

Cast

  (in credits order) (verified as complete)
George Shannon ... Max Pavell

Mary Woronov ... Camila Stone

Lynn Lowry ... Alta Leigh / Julie Kent
Monique van Vooren ... Helene
Maureen Byrnes ... Dola
Daniel Sadur ... Gus
Ondine ... Roderick
Jennifer Welles ... Max's Secretary
Anthony Pompei ... Oliver
Reid Cruickshanks ... Det. Schwartz
Thomas Mahony ... Det. Joe
Ralph R. Ralph ... Doctor
Stanley Kaufman ... Lawyer (as S. Lloyd Kaufman Sr.)
Shawn Randall ... Girl In Restaurant
Allen Liffman ... Man In City Woman
Debbie Parness ... Cindy
Beatrice Eisner ... Boutique Girl
Beatrice Conrad ... Interview Girl
Uta Walters ... Interview Girl
Mary Schachtel ... Interview Girl
Nancy Ennis ... Interview Girl
Kathy Nonass ... Interview Girl
Cleo Young ... Interview Girl
rest of cast listed alphabetically:
Alexandra Stewart ... (uncredited)

Directed by
Theodore Gershuny 
 
Writing credits
(in alphabetical order)
Theodore Gershuny  writer
Lloyd Kaufman  writer

Produced by
Ami Artzi .... producer
Garrard Glenn .... associate producer (as Garrard L. Glenn)
Jeffrey Kapelman .... associate producer
Lloyd Kaufman .... executive producer
Oliver Stone .... associate producer (as Oliver W. Stone)
 
Original Music by
Gershon Kingsley 
 
Cinematography by
Hasse Wallin  (as Hasse Wellin)
 
Film Editing by
Dov Hoenig 
 
Art Direction by
Thomas Sturges 
 
Production Management
Joshua Leinwand .... unit manager
 
Art Department
Lowell Nesbitt .... figure painting
 
Sound Department
Gary Leibman .... sound mixer (as Garry Liebman)
Paul Stange .... sound
 
Special Effects by
Louis Antzes .... special effects
 
Camera and Electrical Department
Ahmed Mamlouk .... still photographer (as Ahmed Mamluk)
Solveig Warner .... assistant camera
 
Costume and Wardrobe Department
Linda Coleman .... costumer
 
Editorial Department
Nobuko Oganesoff .... assistant editor (as Nobuko Oganessoff)
 
Other crew
Melanie Mintz .... script supervisor
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
82 min | USA:91 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Canada:R (Manitoba/Nova Scotia/Ontario) | Canada:18+ (Quebec) | USA:R (cut) | USA:X (self applied)

Did You Know?

Trivia:
Lynn Lowry initially turned the script down because she objected to all the extensive nudity that her dual role entailed.See more »
Movie Connections:
Referenced in The Divine Obsession (1976)See more »
Soundtrack:
All American BoySee more »

FAQ

This FAQ is empty. Add the first question.
8 out of 11 people found the following review useful.
Original, innovative, suspenseful, 3 September 2004
Author: Ton_O (toncyn@casema.nl) from The Netherlands

A very early Oliver Stone (associate-)produced film, and one of the first films in the impressive career of Lloyd Kaufman (co-founder and president of the world's only real independent film studio Troma, creator of the Toxic Avenger and, at the prestigious Amsterdam Fantastic Filmfestival, lifetime-achievement awarded filmmaker for over 30 years). Having raised the money for this film on his own, Lloyd wrote this script together with Theodore Gershuni in 1970 and in hindsight regrets having listened to advice to have Gershuni else direct the film instead of doing it himself. But back then he was still inexperienced in the business and it is probably because of decisions like these that he takes no nonsense from anyone anymore. Indeed it would have been interesting to see Lloyd's version of his own script - as one of the world's most original, daring, experimental and non-compromising directors he probably would have given it even more edge than it already has. But as it is we have the Gershuni-directed film. And weather it is due to the strong script, or the fact that he too is indeed quite a director of his own, SUGAR COOKIES is a very intelligent, highly suspenseful and well-crafted motion picture that deserves a lot more attention than it receives. The shoestring budget the small studio (this was even before Kaufman and his friend and partner for over 30 years now, Michael Herz, formed Troma) had to work with is so well handled that the film looks a lot more expensive, indeed does not have a "low budget" look at all. The story revolves around lesbian Camilla Stone (played by enigmatic Mary Woronow) and her lover who winds up dead through circumstances I won't reveal not to spoil a delightful story. This leads to a succession of plot-twists, mind games and personality reform that is loosely inspired by Hitchcock's Vertigo and at least as inventive. The atmosphere is a lot grimmer, though, and some comparisons to Nicholas Roeg's and Donald Cammell's PERFORMANCE come to mind. In this mix is a very original and inventive erotic laden thriller that keeps it quite unclear as to how it is all going to end, which, along with a splendidly interwoven sub-plot with a nod to Kaufman's earlier and unfortunately unavailable BIG GUSS WHAT'S THE FUSS, makes for a very exciting one-and-a-half-hour. Certainly one of the best films in Troma's library, and yet again one of those films that defy the curious fantasy that their catalog is one of bad taste. The DVD includes some recent interviews Kaufman conducts with Woronov and the other leading lady Lynn Lowry (later seen in George Romero's THE CRAZIES), thus giving some interesting insight in what went on during the making of this cult-favorite and a few hints of what would be different had Lloyd directed it himself. Highly recommended.

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