5.2/10
336
10 user 23 critic

Sugar Cookies (1973)

A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge.

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Cast

Cast overview, first billed only:
George Shannon ...
Max Pavell
...
Camila Stone
...
Alta Leigh / Julie Kent
...
Helene
Maureen Byrnes ...
Dola
Daniel Sadur ...
Gus
Ondine ...
Roderick
Jennifer Welles ...
Max's Secretary
Anthony Pompei ...
Oliver
Reid Cruickshanks ...
Det. Schwartz
Thomas Mahony ...
Det. Joe
Ralph R. Ralph ...
Doctor
Stanley Kaufman ...
Lawyer (as S. Lloyd Kaufman Sr.)
Shawn Randall ...
Girl In Restaurant
Allen Liffman ...
Man In City Woman
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Storyline

A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge.

Plot Summary | Add Synopsis

Taglines:

...Soft...Sweet...Satisfying See more »

Genres:

Drama | Thriller

Certificate:

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Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

31 January 1973 (USA)  »

Also Known As:

Love, Death  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Lynn Lowry initially turned the script down because she objected to all the extensive nudity that her dual role entailed. See more »

Connections

Featured in Adam & Yves (1974) See more »

Soundtracks

All American Boy
Music by Gershon Kingsley
Lyrics by Lloyd Kaufman
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User Reviews

 
Purveyors of the "art film" prey on lookalike lovelies
16 November 2017 | by See all my reviews

Unholy hybrid of psychological melodrama and soft-core nudie (with some head-scratchingly odd comedic asides added to the imbalance) has an immoral, decadent producer of 'arty' porno films playing kinky sex-and-death games with his X-rated starlet ("Get the perfume! Now load the gun!"). He goes too far and kills her, yet the coroner is apparently fooled into believing her death was a suicide (though the shooting is suspicious enough to get a middle-aged detective to start sniffing around). The filmmaker's alibi is provided by his statuesque assistant, a hedonistic bisexual vamp who lies for him but has a secret: she was in love with the dead actress, and plots her revenge. Cobbled together by writers Theodore Gershuny (who also directed, badly) and Lloyd Kaufman (who also co-produced, along with future director Oliver Stone, Ami Artzi, Garrard Glenn and Jeffrey Kapelman), this low-budget curiosity might have made for a juicy cult item if only the team had picked up the pace a bit. It's dreary instead of dangerous and tiresome instead of erotic. A subplot about the producer's young nephew trying to lose weight (and having sex with a prostitute dressed in a wig and pink see-through wrap) is just bizarre. As the assistant, Mary Woronov (Gershuny's then-wife) has amusingly diabolical eyebrows and silky chestnut hair falling passed her shoulders. She has the film's best directed and edited sequence, a quick series of auditions for a new skin-flick. Woronov is required to strip like the other actors but, unlike Lynn Lowry (continuously naked in a dual role), she isn't degraded by the camera; she's so assured an actress that towering over the C-grade material (literally) comes naturally for her. *1/2 from ****


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