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Love Me My Way (1973)
"Sugar Cookies" (original title)

 -  Drama | Horror  -  31 January 1973 (USA)
4.5
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Ratings: 4.5/10 from 231 users  
Reviews: 7 user | 6 critic

A pornographer tricks a model into committing suicide on camera. The dead girl's friend discovers what happened, and swears to take her revenge.

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Title: Love Me My Way (1973)

Love Me My Way (1973) on IMDb 4.5/10

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Cast

Cast overview, first billed only:
George Shannon ...
Max Pavell
...
Camila Stone
...
Alta Leigh / Julie Kent
Monique van Vooren ...
Helene
...
Dola
Daniel Sador ...
Gus
Ondine ...
Roderick
Jennifer Welles ...
Max's Secretary
Anthony Pompei ...
Oliver
Reid Cruickshanks ...
Det. Schwartz
Thomas Mahony ...
Det. Joe
Ralph R. Ralph ...
Doctor
...
Lawyer (as S. Lloyd Kaufman Sr.)
Shawn Randall ...
Girl In Restaurant
Allen Liffman ...
Man In City Woman
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Storyline

A pornographer tricks a model into committing suicide on camera. The dead girl's friend discovers what happened, and swears to take her revenge.

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Taglines:

Men will be shocked! Women will understand! See more »

Genres:

Drama | Horror

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

31 January 1973 (USA)  »

Also Known As:

Love, Death  »

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Color:

(Eastmancolor)
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Did You Know?

Connections

Featured in The Cult Film Legacy of Lynn Lowry (2003) See more »

Soundtracks

"Sally, Go 'Round the Roses"
The Jaynetts
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User Reviews

 
Not as sweet as I had hoped.
11 September 2011 | by (Hampshire, England) – See all my reviews

In 1973, the year before Lloyd Kaufman formed Troma Studios in order to churn out his particular brand of trashy low-budget B-movies, he helped produce Sugar Cookies, an experimental sexploitation flick starring Lynn Lowry (The Crazies, Shivers) as aspiring actress Julie Kent, who is tricked by lesbian seductress Camilla (Mary Woronov) into helping avenge the murder of her lover.

Loaded with dreadfully dull dialogue, languorous scenes of supposedly emotionally intense drama, and of course, plenty of nudity, this sort of ponderous, progressive, art-house styled erotic nonsense might have gone down well with a crowd of enlightened (ie., stoned), sexually liberated hippy types several decades ago, but will seem laughably dated to a modern audience. Even connoisseurs of cult cinema keen to see unconventionally attractive amazonian cult actress Woronov and frisbee-nippled Sissy Spacek-alike Lowry strip off and get it on will probably find this film a struggle.


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