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The Stone Killer (1973)

R  |   |  Action, Crime, Drama  |  8 August 1973 (USA)
6.2
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Ratings: 6.2/10 from 1,568 users  
Reviews: 36 user | 23 critic

Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam veterans to murder all his enemies in a rerun of the "Sicilian Vespers" when ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Al Vescari
Jack Colvin ...
Jumper
...
Langley
...
Les Daniels
...
Guido Lorenz
...
Lawrence
...
Mathews
Alfred Ryder ...
Tony Champion
Walter Burke ...
J D
...
Geraldine Wexton (as Kelly Miles)
Eddie Firestone ...
Armitage
...
Police Psychiatrist
Byron Morrow ...
Station Commander
Lisabeth Hush ...
Helen
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Storyline

Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam veterans to murder all his enemies in a rerun of the "Sicilian Vespers" when the previous generation of Sicilian mafiosi were all killed on a single day. Torrey gets various clues that something big is about to happen but will he discover what is planned before the big day ? Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Taglines:

This cop plays dirty! See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

8 August 1973 (USA)  »

Also Known As:

América violenta  »

Box Office

Gross:

SEK 1,002,197 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film's title is a variation on one of several names that have been applied to star Charles Bronson: "Stoneface" or "Old Stoneface". See more »

Goofs

(at around 55 mins) Immediately after the guy in the brown suit is contacted by the motorcycle cop at LAX, Charles Bronson is talking to his boss. During this exchange, just after the solo shot of the boss, the shadow of the boom mic is seen between the two mens heads at the ceiling line. The shadow moves from right to left and disappears See more »

Quotes

Cab Driver: What's a nice guy like you want with the 4th Precinct house?
Detective Lt. Lou Torrey: They give a good massage and a quick piece of ass.
See more »

Crazy Credits

Actor Gene Woodbury is credited in opening credits only. See more »

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User Reviews

 
Charlie VS the Mafia Factory
26 March 2012 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

I sought relaxing and undemanding action entertainment, I found …. Charlie Bronson! What's better after a hard and long working day than to sit down in a comfortable couch, switch off all still operational brain functions, and watch Charlie kill off some random street scum? During the 70's and 80's, Bronson mastered in depicting unorthodox coppers/relentless vigilantes in ultra-violent and gritty movies, and personally I love each and every single one of them, even though – admittedly – they're not the most sophisticated or even memorable form of art! In this same period, Charlie collaborated a number of times with director Michael Winner, who himself isn't exactly known for his subtlety and flair either, so a joint venture of these gentlemen is a guaranteed piece of uncompromising trash. "The Stone Killer" boosts a slightly more ambitious storyline – one based on a novel by John Gardner – but eventually it just remains a raw 'lone cop' thriller. After the umpteenth "shoot first, ask questions later" incident, lieutenant Lou Torrey gets transferred from gloomy New York to sunny California. There, during a banal prisoner's transport, he stumbles upon a convoluted crime network that brings him all the way back to New York. Torrey, thanks to the help of bizarre informants and dissident interrogation techniques, gradually uncovers the plot of a mafia war to end all mafia wars. Bronson's acting performance is more automatic pilot than ever, but Michael Winner serves numerous exciting car chases and vigorous shootouts, including a wildly out-of-control finale. Did I mention that the film is violent?!? This is early 70's at its best, full of racial slur, realistic dummies falling from the nineteenth floor and gay musicians getting run over by a Cadillac! Oh, and this movie proves that Charlie Bronson is the most efficient shooter ever! With him, each shot is a hit. Whether from inside a shaky helicopter or from an impossible angle on a staircase, it's always bullseye!


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