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The Sting
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The Sting (1973) More at IMDbPro »

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The Sting -- In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.

Overview

User Rating:
8.4/10   137,714 votes »
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Up 7% in popularity this week. See why on IMDbPro.
Director:
Writer (WGA):
David S. Ward (written by)
Contact:
View company contact information for The Sting on IMDbPro.
Release Date:
26 December 1973 (UK) See more »
Genre:
Tagline:
Recapture "the STING Experience". REMEMBER HOW GOOD THE FEEL WAS THE FIRST TIME (re-release) See more »
Plot:
In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won 7 Oscars. Another 10 wins & 6 nominations See more »
User Reviews:
The Moral Order Restored See more (227 total) »

Cast

  (in credits order) (verified as complete)

Paul Newman ... Henry Gondorff

Robert Redford ... Johnny Hooker

Robert Shaw ... Doyle Lonnegan

Charles Durning ... Lt. Wm. Snyder

Ray Walston ... J.J. Singleton

Eileen Brennan ... Billie

Harold Gould ... Kid Twist
John Heffernan ... Eddie Niles

Dana Elcar ... F.B.I. Agent Polk
Jack Kehoe ... Erie Kid
Dimitra Arliss ... Loretta
Robert Earl Jones ... Luther Coleman (as Robertearl Jones)

James Sloyan ... Mottola (as James J. Sloyan)
Charles Dierkop ... Floyd - Bodyguard

Lee Paul ... Bodyguard

Sally Kirkland ... Crystal
Avon Long ... Benny Garfield

Arch Johnson ... Combs
Ed Bakey ... Granger
Brad Sullivan ... Cole

John Quade ... Riley
Larry D. Mann ... Train Conductor
Leonard Barr ... Burlesque House Comedian
Paulene Myers ... Alva Coleman
Joe Tornatore ... Black Gloved Gunman
Jack Collins ... Duke Boudreau
Tom Spratley ... Curly Jackson
Kenneth O'Brien ... Greer
Ken Sansom ... Western Union Executive
Ta-Tanisha ... Louise Coleman
William 'Billy' Benedict ... Roulette Dealer (as William Benedict)
rest of cast listed alphabetically:
Patricia Bratcher ... Manicurist (uncredited)
Robert Brubaker ... Bill Clayton from Pittsburgh (uncredited)

Kathleen Freeman ... Kid Twist's Wife (uncredited)
Susan French ... Landlady (uncredited)
Bruce Kimball ... Lacey the Bouncer (uncredited)
Alexander Lockwood ... Landlord (uncredited)
Chuck Morrell ... FBI Agent Chuck (uncredited)
Byron Morrow ... Mr. Jameson from Chicago (uncredited)
Pearl Shear ... Lady in Phone Booth (uncredited)
Arthur Tovey ... Bank Officer (uncredited)
Guy Way ... Gambling Den Boss (uncredited)

Directed by
George Roy Hill 
 
Writing credits
(WGA)
David S. Ward (written by)

Produced by
Tony Bill .... producer
Robert Crawford Jr. .... associate producer (as Robert L. Crawford)
Julia Phillips .... producer
Michael Phillips .... producer (as Michael)
David Brown .... executive producer (uncredited)
Richard D. Zanuck .... executive producer (uncredited)
 
Cinematography by
Robert Surtees (director of photography)
 
Film Editing by
William Reynolds 
 
Casting by
William Batliner (uncredited)
Robert J. LaSanka (uncredited)
 
Art Direction by
Henry Bumstead 
 
Set Decoration by
James W. Payne  (as James Payne)
 
Costume Design by
Edith Head (costumes by)
 
Makeup Department
Jim Gillespie .... assistant makeup artist (uncredited)
Gary Liddiard .... makeup artist (uncredited)
Connie Nichols .... hair stylist (uncredited)
Mark Reedall .... key makeup artist (uncredited)
Rick Sharp .... makeup artist (uncredited)
 
Production Management
Ernest B. Wehmeyer .... production manager
 
Second Unit Director or Assistant Director
Charles Dismukes .... second assistant director
Ray Gosnell Jr. .... first assistant director (as Ray Gosnell)
Sergio Emmanuele Anastasio .... trainee assistant director (uncredited)
John Slosser .... dga trainee (uncredited)
 
Art Department
Walter Hamlin .... stand-by painter (uncredited)
Walter Hamlin .... stand-by painter (uncredited)
Henry Larrecq .... assistant art director (uncredited)
Buzz Newhouse .... construction coordinator (uncredited)
William A. Petrotta .... props (uncredited)
Blackie Rosenkrantz .... property master (uncredited)
Thomas L. Roysden .... leadman (uncredited)
 
Sound Department
Robert R. Bertrand .... sound (as Robert Bertrand)
Ronald Pierce .... sound
Dennis C. Salcedo .... transfer room operator (uncredited)
Edwin J. Somers Jr. .... boom operator (uncredited)
 
Special Effects by
Bob Warner .... special effects manager (uncredited)
 
Visual Effects by
Albert Whitlock .... special photographic effects
 
Stunts
Steven Burnett .... stunts (uncredited)
Mickey Gilbert .... stunts (uncredited)
Scott Gourlay .... stunts (uncredited)
John Moio .... stunts (uncredited)
Dean Smith .... stunt double (uncredited)
 
Camera and Electrical Department
Richard Barth .... camera operator (uncredited)
Joe Cucci .... company grip (uncredited)
Howard Evans .... lamp operator (uncredited)
Ben O. Graham .... lamp operator (uncredited)
Tom Kessenich .... second key grip (uncredited)
Don Lambert .... key grip (uncredited)
Everett Lehman .... gaffer (uncredited)
Fred Maupin .... lamp operator (uncredited)
Chuck Raffington .... lamp operator (uncredited)
Ted Schwimer .... lamp operator (uncredited)
Charles W. Short .... camera operator (uncredited)
Frank Shugrue .... still photographer (uncredited)
Edward Thompson .... dolly grip (uncredited)
Timothy E. Wade .... assistant camera (uncredited)
 
Costume and Wardrobe Department
Bernie Pollack .... costumer: men (uncredited)
Peter V. Saldutti .... costumer: men (uncredited)
Andrea E. Weaver .... costumer: women (uncredited)
 
Editorial Department
Frederic L. Knudtson .... assistant editor (uncredited)
 
Music Department
Marvin Hamlisch .... music adaptor
Scott Joplin .... composer: piano rags
Billy Byers .... music arranger (uncredited)
 
Transportation Department
Jack Lloyd .... transportation captain (uncredited)
 
Other crew
Charlsie Bryant .... script supervisor
Jaroslav Gebr .... title artwork
John Scarne .... technical consultant
Billy Joe Andrus .... craft service (uncredited)
Robert Crawford Jr. .... assistant: George Roy Hill (uncredited)
John Longenecker .... intern: AFI (uncredited)
Donald Paonessa .... intern: AFI (uncredited)
Eileen Peterson .... unit publicist (uncredited)
John Scarne .... card dealer double: Paul Newman's hands close-ups (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Sting" - Japan (English title)
See more »
Runtime:
129 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:
Argentina:13 | Australia:PG | Brazil:Livre | Canada:PG (Manitoba/Ontario) | Canada:A (Nova Scotia) | Canada:G (Quebec) | Finland:K-16 | Japan:G (2009) | Netherlands:12 | Norway:15 | Norway:16 (1974) | Peru:14 | Portugal:M/18 (original rating) | Portugal:M/12 (re-rating) | Singapore:PG | South Korea:15 | Sweden:15 | UK:A (original rating) | UK:PG (video rating) (1987) (2000) | USA:PG (PCA #23757) | USA:TV-14 (TV rating) | West Germany:12

Did You Know?

Trivia:
Warren Beatty turned down the role of Johnny Hooker.See more »
Goofs:
Continuity: When Johnny meets a passed-out Henry for the first time in Henry's apartment, Johnny is wearing a maroon pinstripe suit with a gray three-button collarless undershirt instead of a dress shirt. He also has a three-day stubble. The very next scene,they are both in the bathroom as Henry sobers up in the shower. This time, Johnny has on the same pants, but his coat is off an he's wearing a blue wide-collared dress shirt and is clean shaven.See more »
Quotes:
Johnny Hooker:Can you get a mob together?
Henry Gondorff:After what happened to Luther, I don't think I can get more than two, three hundred guys.
See more »
Movie Connections:
Soundtrack:
Easy WinnersSee more »

FAQ

How much sex, violence, and profanity are in this movie?
Any recommendations for movies similar to "The Sting"?
If Lonnegan was born in Five Points (NYC), why does he have a thick Irish brogue?
See more »
64 out of 86 people found the following review useful.
The Moral Order Restored, 15 March 2004
Author: James Hitchcock from Tunbridge Wells, England

Johnny Hooker and Luther Coleman are `grifters' or confidence tricksters in 1930s Chicago. Unknown to them, however, one of their victims works for a vicious local gangster named Doyle Lonnegan, and when Lonnegan finds out what has happened he has Luther murdered. Hooker is not a violent man by nature and admits that he does not know much about killing, but nevertheless wishes to take revenge for his partner's death. He decides that the best way is to hurt Lonnegan's pride by relieving him of some of his wealth. He joins forces with another con man named Henry Gondorff, and together they come up with an elaborate plan, not only to cheat Lonnegan, but also to do it in such a way that he never realises that he has been cheated. The plot unfolds with great ingenuity; until the final denouement the audience are never quite sure which developments are for real and which are part of the elaborate scheme.

Crime thrillers set during this period are normally associated with the classic `film noir' style, with its dark, brooding, cynical atmosphere. In `The Sting', however, George Roy Hill deliberately sets out to create a very different mood. The style is almost the exact opposite of film noir. The acting is heavily stylised (as is the scenery), and the division of the film into sections with titles such as `The Hook' or `The Line' is reminiscent of the formal division of a stage play into acts and scenes. The film is not in black-and-white but in bright colour, and the mood, far from being heavy and brooding, is light and cheerful. Scott Joplin's music, although written slightly earlier than the period in which the film is set, fits this mood perfectly. The major actors all play their parts perfectly- Robert Shaw as the glowering, menacing Lonnegan, Robert Redford as the young, idealistic Hooker (insofar as a con-man can be said to be an idealist), and Paul Newman as the older, more experienced and laid-back Gondorff. There are also good contributions from Charles Durning as the corrupt policement Lieutenant Snyder and Robert Earl Jones as Luther.

Despite the cheerful mood, the film has serious undertones in keeping with its themes of revenge and murder. I am not usually a great admirer of what are known as `heist' or `caper' movies, as I feel that too often they glamourise crime and dishonesty. `The Sting', however, is different. Hooker and Gondorff live in a world where the moral order has broken down. The police are hopelessly corrupt- Snyder, the one representative we see of the forces of law and order, is on Lonnegan's payroll. There is no chance of Hooker getting justice for his friend's murder through the normal channels; the only way in which this can be achieved is to go outside the law. Where the police are crooked, only the criminals can execute justice. The emotional satisfaction we feel at the end of the film is because a sort of moral order has finally been restored and, moreover, because this has been done without anyone getting injured except Lonnegan's wallet. An excellent film, which well deserved its Academy Award. 9/10.

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Discuss this movie with other users on IMDb message board for The Sting (1973)
Recent Posts (updated daily)User
Plot Concern Assuaged MercurialAquarian
He didnt tell me you were such a screw up jmgrc0
Am I the only person on Earth who doesn't like this film? nrho-243-714395
A Twist of a Twist No One Seems to Notice... jga-505-721860
Remake it with George and Brad kstrtroi
Since Lonnegan knew that he was being tipped on a race already run... Timothy_M_Klein
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