After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by
John Vogel <firstname.lastname@example.org>
When filming was completed, Robert Shaw invited George Roy Hill over to Ireland for what turned into a two-day pub crawl. "I think we must have hit every pub in in West Ireland", said Hill. "And I made the mistake of trying to keep up with him drink for drink". Back at Shaw's home, Hill collapsed exhausted into bed, only to be woken up by the sound of screaming. Downstairs in the games room, Shaw was stripped to his shorts pummelling an opponent into submission at ping-pong yelling, "One more game, you son of a bitch, one more game". See more »
When Hooker is chased into the ally by Cole he escapes by hiding in a man-hole. However, it would take much longer to remove the heavy cast iron lid, step into it down the ladder and close the lid above him than the 10 seconds or so that Hooker is ahead of Cole. See more »
Great comedy-crime caper with giants Newman and Redford rekindling their "Butch & Sundance" flame to take down crime lord Robert Shaw (his finest role). Marvin Hamlisch beautifully recreates Scott Joplin's great music, while director George Roy Hill and screenwriter David S. Ward keep the film moving with snappy dialogue, wonderful art direction and editing and an excellent supporting cast. Followed by a sequel ten years later with Jackie Gleason.
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