In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.
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Aspiring comic Rupert Pupkin wants to achieve success in showbiz, by resorting to stalking his idol, a late night talk show host who craves his own privacy.
Director:
Martin Scorsese
Stars:
Robert De Niro,
Jerry Lewis,
Diahnne Abbott
A distant poor relative of the Duke of D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.
Director:
Robert Hamer
Stars:
Dennis Price,
Valerie Hobson,
Joan Greenwood
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Director:
Terry Zwigoff
Stars:
Billy Bob Thornton,
Lauren Graham,
Bernie Mac
An out-of-control speed freak (Schwartzman) is introduced his drug of choice's creator (Rourke) by his dealer (Leguizamo). A massive three-day adventure ensues (with Fugit, Murphy, and Suvari in tow).
Director:
Jonas Åkerlund
Stars:
Jason Schwartzman,
Brittany Murphy,
John Leguizamo
When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by
John Vogel <jlvogel@comcast.net>
When Johnny meets a passed-out Henry for the first time in Henry's apartment, Johnny is wearing a maroon pinstripe suit with a gray three-button collarless undershirt instead of a dress shirt. He also has a three-day stubble. The very next scene,they are both in the bathroom as Henry sobers up in the shower. This time, Johnny has on the same pants, but his coat is off an he's wearing a blue wide-collared dress shirt and is clean shaven. See more »
A magical plot, dead on art direction, brilliant supporting roles (most notably Robert Shaw, ya falla?), and the guiding hand of Redford/Newman chemistry make this one of the Hollywood's great films. "The Sting" is a hallmark of the "Golden Age" of American film, and has molded not only countless films, but numerous genres, few of which have met the challenge of its master.
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A magical plot, dead on art direction, brilliant supporting roles (most notably Robert Shaw, ya falla?), and the guiding hand of Redford/Newman chemistry make this one of the Hollywood's great films. "The Sting" is a hallmark of the "Golden Age" of American film, and has molded not only countless films, but numerous genres, few of which have met the challenge of its master.