After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by
John Vogel <firstname.lastname@example.org>
George Roy Hill made choices that would utilize certain stylistic techniques of the 1930s. For instance, he decided to use an old-fashioned Universal logo from the period at the beginning of the film, immediately evoking a nostalgic tone for The Sting. Hill also employed devices such as editing wipes to transition between scenes and iris shots - all stylistic choices that would help place the audience in a 1930s time frame. See more »
When Snyder chases Hooker at the 'El' station, the weather changes from bright sunny to overcast in an instant when they reach the platform. See more »
A delicious wheeze from start to finish. Certainly a film that leaves you thinking that you'd like to have been in Henry's gang and played a part in separating Lonnegan from his dough. The editing is pin sharp and beautifully cast with a superb musical track to keep you company. The framing, the photography, the pace all dovetail exquisitely and if you feel left outside of the game plan in your first viewing, never fear, the second time of watching, you'll enjoy it just as much but it will mean more. Certainly it's a film you'll want to see a second time. At least. Oscars rightly by the handful and nominations are full deserved to combine for a winning performance by all concerned. Definitely in my top fifty of all time.
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