A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Billy Bob Thornton,
When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by
John Vogel <firstname.lastname@example.org>
The score of the film consists of Scott Joplin ragtime compositions, which were composed between 1900 and 1910. Although The Sting (1973) helped bring Joplin's ragtime back into American popular culture, they actually predate the period of the story by 25 years. See more »
When Hooker moves from his booth to join Doyle in an adjacent booth in the café, he leaves his hat at the far end of the bench seat, by the wall. After they end their conversation and Hooker is leaving, he picks up his hat, which is now at the near end of the seat, by the aisle. See more »
[Gondorff enters the poker game pretending to be drunk]
Sorry I'm late. I was taking a crap.
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The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »
Great comedy-crime caper with giants Newman and Redford rekindling their "Butch & Sundance" flame to take down crime lord Robert Shaw (his finest role). Marvin Hamlisch beautifully recreates Scott Joplin's great music, while director George Roy Hill and screenwriter David S. Ward keep the film moving with snappy dialogue, wonderful art direction and editing and an excellent supporting cast. Followed by a sequel ten years later with Jackie Gleason.
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