8.3/10
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262 user 123 critic

The Sting (1973)

In Chicago in September 1936, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.

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Top Rated Movies #90 | Won 7 Oscars. Another 10 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
John Heffernan ...
Eddie Niles
...
Jack Kehoe ...
Erie Kid
Dimitra Arliss ...
Loretta
Robert Earl Jones ...
Luther Coleman (as Robertearl Jones)
...
Mottola (as James J. Sloyan)
Charles Dierkop ...
Floyd - Bodyguard
...
Bodyguard
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Storyline

When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Plot Keywords:

con | caper | con man | long con | murder | See All (93) »

Taglines:

...all it takes is a little Confidence. See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1973 (USA)  »

Also Known As:

Der Clou  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

$159,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During filming Robert Redford was recovering from a broken right thumb sustained in a skiing accident a few months before, and was supposed to be wearing a cast. Numerous times in the film he uses his right hand oddly to avoid using the thumb, such as holding a fork with four fingers but not the thumb. See more »

Goofs

The phone on Polk's desk is appropriate for the time, but it rings like a phone from the 1960s or later. See more »

Quotes

[Figuring out which con to pull on Lonnegan]
J.J. Singleton: I dunno know what to do with this guy, Henry. He's an Irishman who doesn't drink, doesn't smoke, and doesn't chase dames. He's a grand knight in the Knights of Columbus, and he only goes out to play faro. Sometimes plays 15 or 20 hours at a time, just him against the house.
Henry Gondorff: Roulette? Craps?
J.J. Singleton: He won't touch 'em. The croupier at Gilman's says he never plays anything he can't win.
Henry Gondorff: Sports?
J.J. Singleton: Likes to be seen with fighters sometimes, but he doesn't go to the ...
[...]
See more »

Crazy Credits

The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »

Connections

Featured in Casting By (2012) See more »

Soundtracks

The Washington Post
(uncredited)
Written by John Philip Sousa
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Frequently Asked Questions

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User Reviews

Almost perfect
16 November 2004 | by (London, UK) – See all my reviews

This film deserved every Oscar thrown at it. It looks good, it's funny, it's extremely complex but doesn't dwell on the fact for a moment: if you can spot the twists, you haven't got time to sit back smugly as they pop up - everything rushes on. The acting's good as is the story, one carrying the other. I can't think of a movie where people so obviously had as much fun - maybe (Soderbergh's) Ocean's Eleven, or even Some Like It Hot? The soundtrack is brilliant too, contemporaneous Joplin rags evoking the time and its contradictions artlessly.

The bit that raises this film the one notch higher though is a short, central sequence, in which the music plays as high profile a part as any character or narrative aside. It's the night before The Sting and Redford is drawn to the drugstore girl who's trying to leave town. Perfectly framed by the bittersweetest of the blues/rags he asks her out for a drink - revealing his vulnerability for the first time in a movie where everybody's pretending to be someone else: 'It's 2 o'clock in the morning and I don't know nobody.' Despite all the caper and thrill of grifting all he wants is what we all want. It's a rich, compassionate heart to a virtuosic piece of film-making. 9.5/10


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