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The Sting (1973)

PG  |   |  Comedy, Crime, Drama  |  26 December 1973 (UK)
8.4
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Ratings: 8.4/10 from 157,424 users  
Reviews: 239 user | 115 critic

In Chicago in September 1936, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.

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Title: The Sting (1973)

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Top 250 Movies #88 | Won 7 Oscars. Another 10 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
John Heffernan ...
Eddie Niles
...
Jack Kehoe ...
Erie Kid
Dimitra Arliss ...
Loretta
Robert Earl Jones ...
Luther Coleman (as Robertearl Jones)
...
Mottola (as James J. Sloyan)
Charles Dierkop ...
Floyd - Bodyguard
...
Bodyguard
Edit

Storyline

When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Plot Keywords:

con | con man | long con | murder | courier | See All (91) »

Taglines:

...all it takes is a little Confidence. See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

26 December 1973 (UK)  »

Also Known As:

Der Clou  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

$159,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Technical advisor John Scarne doubled for Paul Newman's hands in the film. It was he who did all of the card manipulations and deck switching in the film. It would have taken a long time for someone to be able to master all of the card routines shown. In the film, we see Scarne's hands disappear off screen; a clever invisible cut hides the switch; Newman's hands return, and the camera pans up to his face. See more »

Goofs

When the briefcase containing $100 bills is opened in extreme close-up, the bills have "modern, small-size" green Federal Reserve seals that are wrong for the '30s. In that era the green seals would be much larger, and a very light green in color. See more »

Quotes

[Polk greets Snyder]
FBI Agent Polk: Sit down and shut up, will ya? Try not to live up to all my expectations.
See more »

Crazy Credits

The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »

Connections

Referenced in Special Collector's Edition: La carrera del siglo (2013) See more »

Soundtracks

Hooker's Hooker
(uncredited)
Written by Marvin Hamlisch
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Almost perfect
16 November 2004 | by (London, UK) – See all my reviews

This film deserved every Oscar thrown at it. It looks good, it's funny, it's extremely complex but doesn't dwell on the fact for a moment: if you can spot the twists, you haven't got time to sit back smugly as they pop up - everything rushes on. The acting's good as is the story, one carrying the other. I can't think of a movie where people so obviously had as much fun - maybe (Soderbergh's) Ocean's Eleven, or even Some Like It Hot? The soundtrack is brilliant too, contemporaneous Joplin rags evoking the time and its contradictions artlessly.

The bit that raises this film the one notch higher though is a short, central sequence, in which the music plays as high profile a part as any character or narrative aside. It's the night before The Sting and Redford is drawn to the drugstore girl who's trying to leave town. Perfectly framed by the bittersweetest of the blues/rags he asks her out for a drink - revealing his vulnerability for the first time in a movie where everybody's pretending to be someone else: 'It's 2 o'clock in the morning and I don't know nobody.' Despite all the caper and thrill of grifting all he wants is what we all want. It's a rich, compassionate heart to a virtuosic piece of film-making. 9.5/10


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To anyone who's seen this in theaters... Goranjake
Why doesn't Salino kill him? kennybania77
If you weren't alive in 1973-74, you probably have no idea... kentor404
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