After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by
John Vogel <firstname.lastname@example.org>
Robert Shaw injured his knee and incorporated the resulting limp into his performance. According to "You'll Never Eat Lunch in This Town Again" by Julia Phillips, Shaw split all the ligaments in his knee after slipping on a wet handball court at the Beverly Hills Hotel a week before filming started. He had to wear a leg brace during production which was kept hidden under the wide 1930s style trousers he wore. See more »
In the scene where the banker is ordering props for the betting parlor, the prop salesman's sentence "If you want a counter and bar..." is obviously dubbed over. His mouth is completely off. See more »
A magical plot, dead on art direction, brilliant supporting roles (most notably Robert Shaw, ya falla?), and the guiding hand of Redford/Newman chemistry make this one of the Hollywood's great films. "The Sting" is a hallmark of the "Golden Age" of American film, and has molded not only countless films, but numerous genres, few of which have met the challenge of its master.
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