After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by
John Vogel <email@example.com>
According to Paul Newman, one afternoon of friendly drinks together triggered a series of competitive practical jokes between himself and George Roy Hill. Hill invited Newman to his office for a drink one afternoon. Just before, however, Hill told Newman that he had no beer or vodka and asked him to pick some up and bring it with him. Newman agreed. Later, Newman sent Hill a bill for $8.00. Hill responded to the bill by sending Newman a three page letter about the nature of friendship and how Newman had abused it. Newman responded to that by cutting Hill's desk in half with a chainsaw and leaving a note that said: "This isn't about friendship, it's about $8.00. I may detonate the entire bungalow next time, so I wouldn't mess around." Later, Newman received a bill from Universal Studios in the amount of $800 to pay for the damage to the desk. Newman never paid. See more »
In the alley where Hooker, Luther and Erie Kid are playing a con on Mottola, and Hooker is "fighting" with Erie Kid while Mottola watches, Hooker grabs a wooden crate from a pile of garbage to fight off the Erie Kid. In the next shot, the box has changed significantly from a low, long dark box, to a white, shorter and steeper box. See more »
Doyle, I KNOW I gave him four THREES. He had to make a SWITCH. We can't let him get away with that.
What was I supposed to do - call him for cheating better than me, in front of the others?
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The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »
A delicious wheeze from start to finish. Certainly a film that leaves you thinking that you'd like to have been in Henry's gang and played a part in separating Lonnegan from his dough. The editing is pin sharp and beautifully cast with a superb musical track to keep you company. The framing, the photography, the pace all dovetail exquisitely and if you feel left outside of the game plan in your first viewing, never fear, the second time of watching, you'll enjoy it just as much but it will mean more. Certainly it's a film you'll want to see a second time. At least. Oscars rightly by the handful and nominations are full deserved to combine for a winning performance by all concerned. Definitely in my top fifty of all time.
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