8.3/10
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264 user 124 critic

The Sting (1973)

In Chicago in September 1936, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
John Heffernan ...
Eddie Niles
...
Jack Kehoe ...
Erie Kid
...
...
Luther Coleman (as Robertearl Jones)
...
Mottola (as James J. Sloyan)
...
Floyd - Bodyguard
Lee Paul ...
Bodyguard
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Storyline

When a mutual friend is killed by a mob boss, two con men, one experienced and one young try to get even by pulling off the big con on the mob boss. The story unfolds with several twists and last minute alterations. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Plot Keywords:

con | caper | con man | long con | murder | See All (93) »

Taglines:

...all it takes is a little Confidence. See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1973 (USA)  »

Also Known As:

Der Clou  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

$159,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First Universal Studios film to win the Best Picture Oscar since All Quiet on the Western Front (1930). See more »

Goofs

When Hooker moves from his booth to join Doyle in an adjacent booth in the café, he leaves his hat at the far end of the bench seat, by the wall. After they end their conversation and Hooker is leaving, he picks up his hat, which is now at the near end of the seat, by the aisle. See more »

Quotes

Johnny Hooker: Listen, Gondorff! Am I gonna learn the big con or not?
Henry Gondorff: What's your hurry?
Johnny Hooker: I want to play for Lonnegan.
Henry Gondorff: You know anything about the guy?
Johnny Hooker: Yeah! He croaked Luther! Anything else I gotta know?
Johnny Hooker: [after he calms down] All right. He runs a numbers racket on the south side. He owns a packing house. A few banks.
Henry Gondorff: Yeah, and half the politicians in New York and Chicago. Not a fix in this world is gonna cool him out if he blows on you.
Johnny Hooker: I'll get him anyway.
Henry Gondorff: Why?
Johnny Hooker: 'Cause I don't know enough about killin' to kill...
[...]
See more »

Crazy Credits

The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »

Connections

Referenced in Remington Steele: Sting of Steele (1983) See more »

Soundtracks

The Washington Post
(uncredited)
Written by John Philip Sousa
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Almost perfect
16 November 2004 | by (London, UK) – See all my reviews

This film deserved every Oscar thrown at it. It looks good, it's funny, it's extremely complex but doesn't dwell on the fact for a moment: if you can spot the twists, you haven't got time to sit back smugly as they pop up - everything rushes on. The acting's good as is the story, one carrying the other. I can't think of a movie where people so obviously had as much fun - maybe (Soderbergh's) Ocean's Eleven, or even Some Like It Hot? The soundtrack is brilliant too, contemporaneous Joplin rags evoking the time and its contradictions artlessly.

The bit that raises this film the one notch higher though is a short, central sequence, in which the music plays as high profile a part as any character or narrative aside. It's the night before The Sting and Redford is drawn to the drugstore girl who's trying to leave town. Perfectly framed by the bittersweetest of the blues/rags he asks her out for a drink - revealing his vulnerability for the first time in a movie where everybody's pretending to be someone else: 'It's 2 o'clock in the morning and I don't know nobody.' Despite all the caper and thrill of grifting all he wants is what we all want. It's a rich, compassionate heart to a virtuosic piece of film-making. 9.5/10


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