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Soylent Green (1973)

 -  Mystery | Sci-Fi | Thriller  -  9 May 1973 (USA)
7.1
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Ratings: 7.1/10 from 38,859 users  
Reviews: 229 user | 129 critic

With the world ravaged by the greenhouse effect and overpopulation, an NYPD detective investigates the murder of a CEO with ties to the world's main food supply.

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Title: Soylent Green (1973)

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In a futuristic, overpopulated world, mankind strives to come up with a new food source.

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Cast

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Storyline

In 2022, Earth is overpopulated and totally polluted; the natural resources have been exhausted and the nourishment of the population is provided by Soylent Industries, a company that makes a food consisting of plankton from the oceans. In New York, when Soylent's member of the board William R. Simonson is murdered apparently by a burglar at the Chelsea Towers West where he lives, efficient Detective Thorn is assigned to investigate the case with his partner Solomon "Sol" Roth. Thorn comes to the fancy apartment and meets Simonson's bodyguard Tab Fielding and the "furniture" (woman that is rented together with the flat) Shirl and the detective concludes that the executive was not victim of burglary but executed. Further, he finds that the Governor Santini and other powerful men want to disrupt and end Thorn's investigation. But Thorn continues his work and discovers a bizarre and disturbing secret of the ingredient used to manufacture Soylent Green. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

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What is the secret of Soylent Green? See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

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Release Date:

9 May 1973 (USA)  »

Also Known As:

Cuando el destino nos alcance  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Sol says goodbye to Thorn by saying "vaya con dios", Thorn turns around and asks what that means. Sol shakes his head and says "go with God", then calls Thorn a schmuck. This is probably an ironic jab at the absurd casting of Heston as a Mexican in Orson Welles' 1958 movie, A Touch of Evil. See more »

Goofs

When Thorne is talking to Sol in the "suicide facility", at one point the inter-phone starts malfunctioning and the "speaking permitted" light starts to blink. If you look at the cable coming out from the lower-left corner of the device, you'll notice that they are obviously alternating two still frames to achieve the blinking effect, as it jumps erratically from one position to another. See more »

Quotes

[first lines]
Voice over PA: First stage removal. First stage removal. Streets prohibited to non-permits in one hour. Streets prohibited to non-permits in one hour.
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Connections

Referenced in Fallout: A Post-Nuclear Role-Playing Game (1997) See more »

Soundtracks

Symphony No. 6 in F Major, Op.68: 'Pastoral': I. Allegro ma non Troppo
Ludwig van Beethoven
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Frequently Asked Questions

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User Reviews

 
A classic even after 30 years
15 August 2003 | by (Dallas, TX) – See all my reviews

This was Eddie Robinson's 101st film and his last, and he died of cancer nine days after shooting was complete. All of which makes his key scene in the movie all the more poignant.

Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.

Several things make this film a classic. The story is solid.

The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.

The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.

And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.

This film is one of my top sci-fi films of all time.


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