Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
A dock worker becomes a prizefighter, but gets mixed up with a crooked manager. A sympathetic L.A. detective tries to set him straight, but he won't listen. His manager, who is also a drug ... See full summary »
Bruce D. Clark
Crowder is a man who will do anything, if the price is right. He is a private detective with a past in the police force. A woman comes to his office one day and asks if he will find her ... See full summary »
To take a briefcase from Hong Kong to Mexico City, via Los Angeles, is it necessary to call on that man - Bolt? With the number of dangerous spies and gangsters who are after that briefcase, maybe Jefferson Bolt is not enough.
David Lowell Rich
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Larry G. Spangler
Johnny Barrows, a G.I, is dishonorably discharged from the army after striking his commanding officer. When he returns home, he is mugged and thrown in jail. Down on his luck and with no ... See full summary »
Better made, but less interesting, than LEGEND OF N*GGER CHARLY
Though SOUL OF N*GGER CHARLEY is more professionally constructed and filmed, I found it less interesting than LEGEND OF N*GGER CHARLEY. To begin with, Fred Williamson is actually called upon to do a bit of acting in LEGEND. Though the character transition is rushed, Williamson initially portrays Charley as hard-working and respectful (his Master has always treated he and his mother with kindness), and later (after having his promised freedom stolen away from him by the cruel, presumptive heir to his Master's estate), as a defiant, avenging hero. In SOUL, on the other hand, he's pretty much a defiant hero from beginning to end, his performance varying only when called upon to show a bit of sadness and remorse near the end.
Further, LEGEND struck me as the more balanced of the two films. In SOUL, there is not a single white man in a featured role who is not portrayed as a villain. In fact, even in smaller roles, the only white men who are not evil are the Quakers who appear very briefly, denying Charley their assistance due to a vow of non-violence. Contrast this with LEGEND in which three of the six white men in featured roles (the original Master, the Sheriff, and the farmer who married a half-breed) are not portrayed as racist. They may be ineffectual, but they're not evil men.
All that said, the story in LEGEND is padded and truly scattered. I would definitely watch it again though... something I cannot say for SOUL.
Finally, I must note the irony that the version of LEGEND on the BLAX FILM disc censors the words "shit" and "ass", but not N*GGER, whereas IMDb allows both "shit" and "ass", but not "the N-word", despite its being in the title of the film!
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