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The Society of the Spectacle (1974)
"La société du spectacle" (original title)

 -  Documentary  -  1974 (France)
7.4
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Ratings: 7.4/10 from 332 users  
Reviews: 2 user | 2 critic

Guy Debord's cinematic analysis of consumer society based on his influential book "La société du spectacle" (1967).

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Cast

Credited cast:
Guy Debord ...
Narrator (voice)
Rest of cast listed alphabetically:
Leonid Brezhnev ...
Himself (archive footage)
...
Himself (archive footage)
Jacques Duclos ...
Himself (archive footage)
Buenaventura Durruti ...
Himself (archive footage)
Robert Fabre ...
Himself (archive footage)
Nino Ferrer ...
Himself (archive footage)
Valéry Giscard d'Estaing ...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
Alexei Kosygin ...
Himself (archive footage)
...
Himself (archive footage)
Zedong Mao ...
Himself (archive footage)
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Storyline

Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Documentary

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Details

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Release Date:

1974 (France)  »

Also Known As:

A Sociedade do Espetáculo  »

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Technical Specs

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Features Ernst Thälmann - Führer seiner Klasse (1955) See more »

Soundtracks

Les Delices de la Solitude, Op. 20 No. 6 - Sonata in D Major : I. Allegro Moderato
, Written by Michel Corrette
See more »

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User Reviews

 
Revolutionary in style and philosophy.
22 May 2005 | by (Australia) – See all my reviews

This film by Guy E. Debord is based on his 1967 book of the same title both of which convey ideas about the consumer capitalism's mode of production and the effects on everyday life. Though both sources use a different means of communication they both powerfully convey the ideas of the situationists. I wont rant on about the ideas contain within this film which are quite profound and have influenced heavily on the Anti-Capitalist movement and post-structuralism through thinkers like Jean Baudrillard. The structure of the film itself is a series of shots from Hollywood films to soviet 'collective hero' film experiments to soft-core porn(nothing past topless) to archival footage of historical events(e.g. May 68 revolt in France) and representations of everyday life. The way in which the scenes are manipulated work well with the voice over commentary reinforcing the ideas while hitting emotional notes. The Music also contributes well to the emotional sentiment which the director wants to be associated with different ideas and issues. The technique used reminds me of Wagner, how he used the structure of music to convey hopelessness and the philosophy of Schopenhauer in "The Ring" covering over the once socialists allegory for the contradiction of modernity. Debord and the situationists used their music to convey of the feeling of hope and the spirit negation (the negation of capitalism and the creation of a new 'totality' of 'situations'). Debord during this film highlights the influences of the 'situationits' in the agitation for May 68 (the largest general strike in history). Henri Lefebvre criticized Debord on this point expressing the view that the situationists greatly exaggerate their influence on events. Other then the self-pampering which is small fraction of the film it is a well done piece of radical documentary both in form and content (style and ideas, though this dichotomy is to come degree false) which is quite interesting just for those uninterested or hostile towards Revolutionary Anti-Capitalism.

This film can be hard to find being played at university film theater's and art festivals. But because the creators of this work are 'anti-commodity' you can find the film online from different locations with English subtitles.


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