3 items from 2015
All week our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. It’s perhaps a little quaint to choose a year that I wasn’t even alive during to represent the best year of cinema. I was not there to observe how any of these films conversed with the culture around them when they were first screened. So, although I am choosing the glorious year of 1973, I am choosing not just due to a perusal of top ten lists that year—but because the films that were released that year greatly influenced how I engage with movies now, in 2015. Films speak to more than just the audiences that watch them—they speak to each other. Filmmakers inspire each other. Allusions are made. A patchwork begins. These are the movies of our lives. Having grown up with cinema in the 90s, »
- Brian Formo
The hotly-anticipated Fifty Shades of Grey movie is finally released in cinemas today (February 13) to coincide with Valentine's Day this weekend, and it's got our minds racing about just one thing....
The most ridiculously silly orgasms in movie history, obviously!
Virginal, apple pie-bonking Jim Levenstein can't believe his luck when his history tutoring with sexy Slovakian exchange student Nadia (Shannon Elizabeth) turns into something more. So excited is Jim, however, that he barely contains himself at her touch, only lasting a few more seconds on second go, until he, er, explodes again.
Sadly Stifler (Seann William Scott) had previously coerced Jim to set up a webcam in his room so they can all watch the frisky teenage pair, but he unwittingly »
Everyone knows Woody Allen. At least, everyone thinks they know Woody Allen. His plumage is easily identifiable: horn-rimmed glasses, baggy suit, wispy hair, kvetching demeanor, ironic sense of humor, acute fear of death. As is his habitat: New York City, though recently he has flown as far afield as London, Barcelona, and Paris. His likes are well known: Bergman, Dostoevsky, New Orleans jazz. So too his dislikes: spiders, cars, nature, Wagner records, the entire city of Los Angeles. Whether or not these traits represent the true Allen, who’s to say? It is impossible to tell, with Allen, where cinema ends and life begins, an obfuscation he readily encourages. In the late nineteen-seventies, disillusioned with the comedic success he’d found making such films as Sleeper (1973), Love and Death (1975), and Annie Hall (1977), he turned for darker territory with Stardust Memories (1980), a film in which, none too surprisingly, he plays a »
- Graham Daseler
3 items from 2015
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