| Photos (see all 24 | slideshow) |
| Woody Allen | ... | Miles Monroe | |
| Diane Keaton | ... | Luna Schlosser | |
| John Beck | ... | Erno Windt | |
| Mary Gregory | ... | Dr. Melik | |
| Don Keefer | ... | Dr. Tryon | |
| John McLiam | ... | Dr. Aragon | |
| Bartlett Robinson | ... | Dr. Orva | |
| Chris Forbes | ... | Rainer Krebs | |
| Mews Small | ... | Dr. Nero (as Marya Small) | |
| Peter Hobbs | ... | Dr. Dean | |
| Susan Miller | ... | Ellen Pogrebin | |
| Lou Picetti | ... | M.C. | |
| Jessica Rains | ... | Woman In The Mirror | |
| Brian Avery | ... | Herald Cohen | |
| Spencer Milligan | ... | Jeb Hrmthmg | |
| Stanley Ross | ... | Sears Swiggles | |
| rest of cast listed alphabetically: | |||
| John Cannon | ... | Various Voice-Overs (voice) | |
| Regis Cordic | ... | Party Guest (uncredited) | |
| Howard Cosell | ... | Himself (on Wide World of Sports) (archive footage) (uncredited) | |
| George Furth | ... | Guest at Luna's Party (uncredited) | |
| Laurence Kirchmar | ... | McDonald's Kid (uncredited) | |
| Jackie Mason | ... | Robot Tailor (voice) (uncredited) | |
| Richard Nixon | ... | Himself (Checkers speech, discloses his personal finances) (archive footage) (uncredited) | |
| Albert Popwell | ... | Reprogramming Scientist (uncredited) | |
| Douglas Rain | ... | Evil Computer / Various Robot Butlers (voice) (uncredited) | |
| Whitney Rydbeck | ... | Janus (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) and | |
| Marshall Brickman | (written by) | |
Produced by | |||
| Marshall Brickman | .... | associate producer | |
| Jack Grossberg | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Ralph Rosenblum | .... | associate producer | |
| Jack Rollins | .... | executive producer (uncredited) | |
Original Music by | |||
| Woody Allen | |||
Cinematography by | |||
| David M. Walsh | |||
Film Editing by | |||
| O. Nicholas Brown | |||
| Ron Kalish | |||
| Ralph Rosenblum | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Dale Hennesy | |||
Set Decoration by | |||
| Gary Moreno | |||
Costume Design by | |||
| Joel Schumacher | |||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Janice Brunson | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Fred T. Gallo | .... | first assistant director | |
| Henry J. Lange Jr. | .... | second assistant director | |
Art Department | |||
| Barry Bedig | .... | property master | |
| Charles Deaton | .... | architect: Doctor Melik's house | |
| Jack M. Marino | .... | assistant property master | |
| Gary Martin | .... | set coordinator (as Gary O. Martin) | |
| Dianne Wager | .... | set designer | |
Sound Department | |||
| Al Gramaglia | .... | sound re-recording mixer: Magno Sound Recording Inc. | |
| Norman Kasow | .... | sound effects editor: Filmsounds, Inc. | |
| Jack Solomon | .... | sound mixer | |
| Jess Soraci | .... | sound effects editor: Filmsounds, Inc. | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Gerald Endler | .... | location special effects (uncredited) | |
Visual Effects by | |||
| Harvey Plastrik | .... | opticals | |
| Ralph Rosenblum | .... | visual effects editor (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator | |
| James M. Halty | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Joseph Edesa | .... | gaffer | |
| Norman Harris | .... | best boy (as Norman L. Harris) | |
| Clyde Hart | .... | key grip (as Clyde W. Hart) | |
| Roger Shearman | .... | camera operator | |
Costume and Wardrobe Department | |||
| Arnie Lipin | .... | wardrobe supervisor (as Arnold M. Lipin) | |
| G. Fern Weber | .... | wardrobe supervisor | |
Editorial Department | |||
| Trudy Ship | .... | assistant editor | |
Music Department | |||
| Felix Giglio | .... | music supervisor | |
| Phil Ramone | .... | music recordist | |
Transportation Department | |||
| Joe Sawyers | .... | transportation captain (as Joe R. Sawyers) | |
Other crew | |||
| Antonio Encarnacion | .... | assistant to producer (as Tony Encamacion) | |
| Jean Gingerich | .... | production accountant | |
| Norman Gorbaty | .... | title designer | |
| Doris Grau | .... | script supervisor | |
| Bill Hansard | .... | projectionist: background projection | |
| Lori Imbler | .... | production secretary | |
| R.J. Louis | .... | location coordinator | |
| Joel Marrow | .... | assistant to producer | |
| Peter J. Silbermann | .... | unit publicist | |
| Ben Bova | .... | science consultant (uncredited) | |
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| The Black Widow | Demolition Man | Cry-Baby | Sullivan's Travels | Radar Patrol vs. Spy King |
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A health food store owner is cryogenically frozen and brought back in the year 2174 by anti-government radicals in order to assist them in their attempts to overthrow their oppressive government. With the help of his guide Luna Schlosser he finds that the world has changed significantly from the one he once knew.
When one speaks of Woody Allen films, it is common to talk of his `early, funnier films' and his later serious work (although that is beginning to change back recently). Love and Death falls easily into the period of `early funnier films'. The plot here is very loose and is simply an excuse of a series of observations, one liners and set pieces. The comedy is a wonderful mix - there is plenty of slapstick, physical comedy. This is complimented by a huge amount of one liners and witty monologues and a great banana skin joke!
Again Allen is great in his standup persona and Keaton is comfortable and familiar despite not having a great character. The imagination of the script gives plenty of room for Allen's surreal humour - the orgasmatronic booths are good and the robot scene allows him to pay a slight homage to Keaton.
Overall this is yet another example of an `early, funnier' Woody Allen film. It is an excellent comedy on so many levels.