Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Hundreds of years after humans have settled on Mars, Regulator Rogul and Lord Jens Maul, lead a force of Martians to Earth in order to conquer the planet. Queen Metaphor looks to the gay ... See full summary »
A clarinet player who also runs a health food store is frozen and brought back in the future by anti-government radicals in order to assist them in their attempts to overthrow an oppressive government. When he goes off on his own, he begins to explore this brave new world that has Orgasmatron booths to replace sex and confessional robots. Written by
John Vogel <email@example.com>
Premiere voted this movie as one of "The 50 Greatest Comedies Of All Time" in 2006. See more »
During her party, Luna suggests that everybody go for a swim. But when she and Miles are running from the police she claims she cannot swim. See more »
Perform sex? Uh, uh, I don't think I'm up to a performance, but I'll rehearse with you, if you like.
Okay. I just thought you might want to; they have a machine here.
Machine? I'm not getting into that thing. I, I'm strictly a hand operator; you know, I, I... I don't like anything with moving parts that are not my own.
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Woody Allen's previous efforts, BANANAS and TAKE THE MONEY AND RUN, were exceptionally funny but very uneven films. His being a bit of an amateur in the film business is pretty obvious in these movies. However, by the time he created SLEEPER, he was a lot more polished and consistent film maker. While this is still a very stupid and sophomoric film, it is very funny nevertheless. While there are occasionally bad moments (such as the giant chicken), they are very few and the humor just keeps hitting you again and again. I particularly liked the Orgazmatron and the history lesson he gives the futuristic professors. This film is slapstick and dopey--exactly the type of film that intellectuals (the audience for most later Allen films) will probably hate. This is Allen for the common man--back when he used to be very funny.
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