Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the ... See full summary »
Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Brian De Palma
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the ... See full summary »
Brian De Palma
Robert De Niro,
The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so it's up to Grace to solve the murder mystery on her own. Written by
According to Brian De Palma, [Bernard] 'Herrmann 's contribution to Sisters (1973) was a major one and he's the master of movie music who I thought was dead and never dreamed would work on a film of mine. He's very difficult, explosive, but always right. [Alfred] Hitchcock has suffered a lot by not working with Herrmann of late.' See more »
After Grace leaves her mother and gets into the phone booth to call a newspaper office, a cameraman and a moving camera are reflected in the shiny part of the phone, and the glass door of the booth. See more »
Did you know that the germs can come through the wires? I never call and I *never* answer. It's a good way to get sick. Very, very sick... That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!
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Sisters benefits from a terrific set-up, a well delivered first hour, a marvelous Bernard Herrmann score, and De Palma's able use of a split screen. Unfortunately it can't carry itself through to the end, and soon collapses into a confusing, formulaic, and ridiculous ending that obviously tries to cover up the fact that, well, De Palma simply didn't know HOW to end the film. Nonetheless it is essential viewing for fans of shock cinema, psychological horror, or cod-Hitchcock fans.
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