The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so ... See full summary »
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so it's up to Grace to solve the murder mystery on her own. Written by
According to director Brian De Palma, an elaborate tracking shot had to be deleted from the film. De Palma said the search scene was originally "a Max Ophüls-type tracking shot about 6 minutes long, and while they are searching through the apartment the camera keeps coming back to the couch and the spot is getting bigger and bigger and bigger," De Palma stated. "I shot it, but because the camera could only get down so low and still go up high enough to shoot the rest of the scene we couldn't get down to the bottom of the couch and when we saw the rushes it looked ridiculous because it looked like the guy was bleeding up through the arm of the couch. So I had to throw out the whole tracking shot, and I was forced to use close-ups and television-type coverage." See more »
After Grace and the police have exited the apartment building, her mother comes out of the front door and during the following conversation suggests that Grace should change clothes. Grace then walks back into the building to do this, even if she lives across the street. See more »
Did you know that the germs can come through the wires? I never call and I *never* answer. It's a good way to get sick. Very, very sick... That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!
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De Palma's first Hitchcockian thriller, and still one of his best.
Brian De Palma is often unfairly dismissed as "that guy that rips off Hitchcock", a statement that overlooks the variety of his output. Of his twenty-odd full length movies only a handful have been thrillers, in fact before 'Sisters' he was best know as a maker of quirky comedies like 'Greetings' and 'Get To Know Your Rabbit'. 'Sisters' was De Palma's first foray into Hitchcock territory, and I think his subsequent stereotyping shows just how impressive he was in this genre. He has made several more famous and successful movies subsequent to this one, but it still remains one of his most entertaining works. Margot Kidder, a few years prior to her fame as Lois Lane, is brilliant as troubled separated siamese twins with a secret. Jennifer Salt ('Midnight Cowboy') plays a spunky newspaper columnist who believes she has witnessed one of the twins commit a murder (a deliberate nod to 'Rear Window'). She cannot get the police to believe her and begins to do her own investigations, helped by a small time private eye Larch (Charles Durning - 'Oh Brother, Where Art Thou?'). She finds out that there is a lot more to the sisters' than meets the eye, and vows to find out what is really going on. Kidder is of course the star of the movie, but equally memorable is De Palma regular William Finley ('The Phantom Of The Paradise', 'Eaten Alive') in a wonderfully creepy performance as one of twins ex-husband. Kidder and Finley and De Palma's assured direction, which includes a brilliant murder sequence and cool use of split screen in another, make this a thriller that won't easily be forgotten. Highly recommended.
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