The abandoned home of Wilfred Butler, a wealthy but troubled man who committed suicide, has been willed to his grandson, Jeffrey. But an Axe wielding maniac has set up residence in the house - and he doesn't take kindly to strangers.
After a death in the family, siblings Angelica and James Zacherly travel to the small town of East Willard on Christmas Eve to pay their respects. They stay at a homely bed and breakfast ... See full summary »
A wealthy, eccentric chemical company owner sends his woman to get an American writer to take a mind control drug, Kemek, to verify its potential. She accomplishes her mission, but falls ... See full summary »
In 1985, in a coastal town, the friends Koldo, Peti, Tito, Eugenio and Moni stumble with a woman dressed like Santa Claus trapped in a hole in the woods. While to boys go to the police ... See full summary »
Wilford Butler returns home on Christmas Eve and his house had been turned into a mental institution for the criminally insane. But the day of his return, he is set on fire and dies. The towns people believe his death was an accident, and the institution-house is later closed down. Wilford leaves the house to his grandson Jeffrey. A few years later, Jeffrey finally decides to sell this grandfather's house, but the towns people including the Mayor have mixed feelings on keeping people away from the house, especially when a serial killer escapes from another institution and finds refuge there. The killer makes frightening phone calls and kills anyone coming near the house. But what does the killer have in common with what happened to Wilford Butler years before? Written by
The film's working title was "Zora"--an odd choice, since nothing or no one is referred to by that name in the film. See more »
Main character Jeffrey Butler is riding with John Carradine, who plays Towman. Butler and Carradine have decided to go out to the Butler house to see what is going on. Instead, Towman pulls into the drive of another house, and Jeffrey Butler says, "Towman this isn't my house, it's Tess'. Tess is another of the townspeople, and it is her house, but Jeffrey would not have known that because he has never been to the town before. See more »
I love discovering new-to-me American horror flicks of the 1970s. These independent, backwoods-shot productions usually showcase some then-startling gore effects, as well as creepy atmosphere and a sense of gritty realism usually absent from the slicker Hollywood productions. SILENT NIGHT, BLOODY NIGHT fits the bill as an all-but-forgotten movie from this era, but sadly it turns out to be anything but a gem.
Despite the best intentions of the filmmakers, this film's a chore to sit through. The story is slow beyond belief and the narrative stilted and mishandled; the editing of various scenes is done in such a way to make even the simplest shots confusing to the viewer. In essence, it's about a creepy old abandoned house that may be home to a murderous lunatic, plus some back story about an old asylum.
The story is cheaply acted by a bunch of no-name or cult stars such as Warhol favourite Mary Woronov. Guest star Patrick O'Neal doesn't hang around for long, while John Carradine doesn't say a word! Leading actor James Patterson was dying of cancer while the film was being made, adding a further level of grubbiness to the thing. There's no gore to speak of and I felt that the attempts at suspense-building fell flat. Sure, the supposedly shocking sepia-tinted flashback scenes are mildly engaging, but the rest of the film is nothing but a disappointment.
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