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15 out of 21 people found the following review useful:

A Forties retread with Seventies violence...

Author: Righty-Sock ( from Mexico
15 May 2005

In "Shamus," Burt Reynolds is a New York private eye afraid of big dogs and keeps a beautiful ginger cat…

He lives in a single room and sleeps on a pool table… He is quite capable of pushing a heroin addict's face into the garbage… He is certainly the 1970's version – almost in comic-strip – of the private investigator…

Reynolds lives cheaply, yet is hired to pursue a theft of diamonds; he is big and sexy, and the gorgeous Dyan Cannon is only too happy to dally with him at the drop of a clue; and he is apparently so tough that he can take all manner of beatings and emerge unscathed…

It is doubtful if he is the sort of man one would want to introduce to one's maiden aunt (the one with all the money), but he is certainly a character to fulfill all the audience's fantasies of violence, sex and thrills…

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14 out of 21 people found the following review useful:

Neat piece of moviemaking, worth preserving

Author: manuel-pestalozzi from Zurich, Switzerland
30 June 2003

The story of Shamus seems to be loosely based on Raymond Chandler's The Big Sleep. Burt Reynolds is in the Humphrey Bogart role, and he acquits himself well playing the Philip Marlowe of the chewing gum generation. He doesn't take himself too seriously, is less sarcastic than the forties version and there are quite a few good laughs to be had.

Shamus is remarkable for reflecting the period it was shot in. The directing and the cinematography are very good. I also liked the musical score. There are quite a few nicely stylized action scenes on real locations in dock areas. Dyan Cannon gives her usual solid performance and wears clothes today's fashion designers will be very interested in. Her character's apartment in a high rise on East River must be the "dernier cri" of 1973‘s interior decorating: prints of Vasarely and Miro, steel frame chairs with white leather cushions, lamps with huge chrome bowls etc. etc.

This movie, a bright child of its time, is well worth preserving.

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9 out of 13 people found the following review useful:

Action and thrills with Reynolds doing his take on 70's private eye cool.

Author: hilton-6 ( from Goulburn, Australia
6 December 2000

Shamus leaves you in no doubt who the star is right from the opening credits, for those who enjoy private eye movies this one is fun from beginning to end. Plenty of action and a murder to solve. The wardrobe dates a bit, but the action sequences are great and the musical score adds to the films "Cool." Who better to do 70's cool than Burt. Dyan Cannon is infectious and there's a good support cast along for the ride. It's a basic enough private eye plot with twists and turns, really banking on it's popular leads. Plenty of good lines and attitude. That said, John P. Ryan is full speed ahead as a corrupt Lt. Col.(unfortunately his characters name always makes me laugh.) Another quick note would be the stake out from the book shop, an update of the sequence from the Big sleep. The film is definitely worth a look. For Reynolds' fans it's a must.

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5 out of 6 people found the following review useful:

Burt Reynolds excels in this tough and exciting 70's private eye mystery action thriller

Author: Woodyanders ( from The Last New Jersey Drive-In on the Left
19 November 2006

*** This review may contain spoilers ***

The ever-cool Burt Reynolds gives a typically fine and credible performance as Shamus McCoy, a scruffy, but smooth and studly rugged womanizing private detective who's hired by flaky rich guy E.J. Hume (a pleasingly offbeat turn by Ron Weyand) to find a killer and retrieve a fortune in stolen diamonds. During his investigation McCoy makes the acquaintance of the lovely, vivacious Alexis (delightfully played by the gorgeously voluptuous Dyan Cannon) and uncovers a wild plot to sell surplus military weapons on the black market. Adroitly directed by Buzz ("The Hunter") Kulik, with a colorful and compelling, if rather muddled script by Barry Beckerman, a groovy score by Jerry Goldsmith, occasional exciting outbursts of raw rough'n'tumble fisticuffs, gritty, but lush cinematography by Victor J. Kemper, a funky New York City atmosphere, and a few charmingly quirky touches (McCoy sleeps on a pool table with a mattress on it and has a deep-seated dread of large dogs), "Shamus" makes for a hugely enjoyable and often thrilling private eye flick. Popping up in solid supporting parts are Larry Block as funny sports trivia freak informant Springy, Joe Santos as hard-nosed police Lieutenant Promuto, John P. Ryan as crazed fanatical army Colonel Hardcore, and John Glover in his film debut as a pathetic heroin addict. Excellent downbeat ending, too. Granted, we're not talking unjustly overlooked lost classic here, but this baby overall sizes up as a most entertaining vintage 70's Burt Reynolds star action vehicle.

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7 out of 11 people found the following review useful:

Burt Reynolds a s "low brow" "Saint" or James Bond

Author: jawlaw from Louisville, Kentucky
25 January 2006

This film brings back good memories for me. It's the first film that I had enough nerve to ask a girl out to when I was a teen. As my first official date, I was soon upstaged by the very rising star power of Burt Reynolds.

I think this film must have been planned as a recurring character for Reynolds--sort of a low brow "Saint" or a poor man's James Bond. Like "Remo Williams--The Adventure Begins" it unfortunately ended as soon as it began. Bigger and better things came to Reynolds soon after this release and he apparently sought not to be type cast as an American P.I. with a Scottish variant of the name James.

Still, it was a good film, and exciting and action packed by the standards of the day. Reynolds is a cool, believable and likable hero figure who acts like Popeye on spinach in the fight scenes. Cannon is good scenery in the film, but not much more. This isn't her fault--the script treats her like little more than a prop. The villain in the film is hate worthy, though not formidable, but his "henchmen" provide good conflict for the "I do my own stunts" Reynolds.

I give the film a 7 out of 10.

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11 out of 19 people found the following review useful:

Burt is the only redeeming virtue.

Author: gridoon
11 June 2001

A sarcastic, slightly self-parodying Burt Reynolds in his prime is the best thing this otherwise undistinguished actioner/mystery has to offer. Right from the opening scene, Reynolds sets up an unconventional action-movie character, who doesn't take himself too seriously. Unfortunately, he is plugged into an overloaded and ultimately unresolved plot, and into action sequences that are directed without much flair. Very minor film. (**)

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12 out of 21 people found the following review useful:

OK, But Not One Of Burt's More Memorable Films

Author: ccthemovieman-1 from United States
23 July 2006

Although this was a fast-paced pretty interesting crime story, it was not memorable, which is probably one reason there are so few reviews here.

Burt Reynolds was perfect for '70s film world of film in which just about anything was shown or heard now that all the restrictions were removed. Burt, as he did in this film, would sleep with any girl that came along. In one scene, Reynolds enters a bookstore, sees the clerk has a "nice pair of boobs," so they have sex immediately right at the store. Only in the sleazy '70s of Hollywood! (Or in most men's dreams.)

Actually, Burt excelled in films that combined action and humor, which this has but not enough to make this one of more-remembered movies. However, it does have very little nudity despite the above paragraph and no blasphemy. The best part of the movies might be the final action scene which provides two laugh-out- loud scenes.

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2 out of 2 people found the following review useful:

Burt Goes to NY

Author: jcohen1 from LI
27 March 2007

The movie role Burt regretted most he missed out was that of Sonny Corleone to actor James Caan. Shamus was as close to a mob flick as Burt got. It's not the real McCoy. We have in Shamus Burt the wiseguy, the athlete, the stuntman ,the stud & the pick-up artist. He just has fun running thru Manhattan, Brooklyn, Staten Island and Westchester. It's of course a tribute to the hardboiled detective heroes- Bogart and Mitchum. Not to mention a good Brando imitation mixed in to boot. This picture cemented the image that stuck all these years. Dyan Cannon and Burt certainly had a screen chemistry but I liked the bookseller who showed what was under the covers. This is a tip of the hat to The Big Sleep & Bogart's scene in the bookstore across the street. They can't make movies like thisanymore so enjoy it.

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3 out of 4 people found the following review useful:


Author: keithmallett from United States
27 March 2007

This film is worth viewing just for the pantomime Reynolds does during the opening credits; some really funny stuff. I also liked the fact that an old Twilight Zone alumnus, Buzz Kulick, directed. Reynolds is not a great actor and he knows it. He tends to play the same character in every film he appears in. The one exception is of course the masterpiece Deliverence, where he plays the stoic man of action to the hilt. Shamus is a fast breezy piece of work that is fun to watch and it appears that Burt Reynolds had fun making it. Reynolds also has a tie to The Twilight Zone. In an episode called The Bard, playing a method actor called Rocky Rhodes, Reynolds does a hilarious parody of Marlon Brando.

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1 out of 1 people found the following review useful:

Pool Table is Useful !

Author: whpratt1 from United States
31 March 2007

This was a very entertaining film with Burt Reynolds,(Shamus McCoy) playing a private detective who lived in an apartment that was a complete mess and his bed was on top of a pool table. This pool table was also a love nest where he entertained plenty of women and some of them tried to put their feet in the pocket holes on the table. Dyan Cannon, (Alexis Montaigne) hires Shamus to do some investigating for her and also winds up on the pool table and really enjoys being behind the eight ball. There is plenty of scenes shot in Brooklyn, New York, you can see the Kentile Sign near the Red Hook section and there is even plenty of action on Staten Island with the Army National Guard Armory of the 142nd "Rainbow" Division, 101 First Calvary where Burt Reynolds and Dyan Cannon ride around in an Army Truck. If you like these two actors, you will enjoy this gem from 1973.

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