New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
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Rudy Ray Moore,
John Shaft is persuaded by threats of physical force, the promise of money, and the lure of a pretty tutor, to assume the identity of a native-speaking itinerant worker in Africa. His job is to help break a racket that is smuggling immigrants into Europe then exploiting them. But the villains have heard that he is on his way. Written by
Jeremy Perkins <email@example.com>
Let's face it, none of the Shaft movies are exactly masterpieces but the character Shaft surely is a classic, who delivers some classic one-liners.
In this Shaft 'adventure' the creators obviously wanted to manifest Shaft as the African-American answer to the successful James Bond franchise. For most parts they actually succeeded in this. Shaft is even more sexist than James Bond and he surely is more violent. The violence is not always tasteful at times however.
The story is told messy at times. The action sequences seem to come out of nowhere and are simply just pointless at times. Also the weak editing doesn't help much.
I however wouldn't had mind it having seen more Shaft movies being made. Unfortunately this was the last (unless you also count the 2000 "Shaft" version). The Shaft movies have a certain hip 70's atmosphere, which I like and the main character is reason enough to watch a Shaft movie.
Great character, weak storytelling.
3 of 4 people found this review helpful.
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