A vicious Kansas City slaughterhouse owner and his hick family are having a bloody "beef" with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.
"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
Buddy, Barilli, Mingo and Ansel, detectives with the NYPD, comprise a secret investigative unit called the Seven-Ups, who, largely undercover, focus on cases leading to felony convictions with prison sentences of seven years or more for the criminals in question. Many within the NYPD who know about the unit don't support the idea of it because of the often unethical way they work on the cases, but their superior, Inspector Gilson, defends the unit solely because of the results. On the sly, Buddy, who is the head of the team, gets much of the information for the cases from Vito Lucia, a childhood friend who still lives and works in the old neighborhood where much of the crime is based. Vito knows that his life could be in danger if the mob finds out that he acts as a snitch for the police. After Buddy starts looking into the loan sharking business of some local mob members, unknown to him some of those mob members are shaken down for a minimum $100,000 apiece, one by one kidnapped for ... Written by
The name of the funeral parlour home was "Lucia Bros.". See more »
Buddy was nearly unscathed after his car hit the rear of the tractor trailer. Though a high speed impact like that would have certainly caused at least serious injuries regardless if Buddy 'ducked' first. See more »
Toredano the Garage Man:
Look. Look at my hands. I've been here before. You do what you gotta' do. I didn't talk then... and I ain't talkin' now.
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One of my favorites. As a child, growing up in the NY Metro area in the late 60s and early 70s, I was often afforded the opportunity to visit NYC with my grandfather or father, as they conducted business there. The gritty, bustling, human, reality of that city, particularly in winter, have stayed with me.
This film very aptly captures the stark, cold, matter-of-fact feel of the NYC winter season, while keenly exposing the underbelly of the region's infamous underworld of crime and policing. A great snapshot of a place and a time and a culture.
And the car chase is simply amazing. At least on par with the one in "Bullitt", and surpassing the chase in "The French Connection". I can watch, time and again, as the suspension comes unstuck on that Plymouth Fury police cruiser barreling toward the GW Bridge in pursuit, as it lurches into that sharp right curve, bouncing and scraping into oncoming traffic. The stunt driving coordinator for that scene did "Bullitt" and "The French Connection" as well as many other noatable movie chases. Good acting, too, and a decent plot line. The musical score is edgy and compelling, and the cinematography and direction are top notch. A great, if underrated 1970s cop drama. A keeper. Not out on DVD yet, though.
Comparable in style and content to: The French Connection and Super Fly. Early 1970's cop dramas set in the bleak NYC winter months.
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