Madame Juliette ("Signora sono le 8") /
Celestina ("Due cuori e una baracca") /
Enrico's Wife ("Non è mai troppo tardi") /
Grazia ("Viaggio di nozze") /
Tamara ("Torna piccina mia") /
The Nun ("Lavoratore italiano all'estero") /
Donna Mimma Maccò ("La vendetta") /
A play on words (check-mate, sex-mad, get it?), the title Sessomatto is quite accurate since most of the sketches in the movie are about sex gone berserk. I'm writing this in 2002, some 28 years after seeing the movie, so memory may fail me, but, even though this was supposed to be a vehicle for Giancarlo Giannini, I remember it mostly for the radiant beauty of Laura Antonelli. Some of the sketches definitely had some socially redeeming value and are harbingers of Dino Risi's future masterpieces (Profumo di donna, Primo Amore and, particularly, I Nuovi Mostri).
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