Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
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After years of poverty, Carrier, a repairman, inherits a large sum of money upon his brother's death in an accident. Now rich, he decides it is time to make his mark and be known at any cost. Becoming more and more mentally unstable, he begins to threaten police and the government signing his tracts, "Armaguedon". A detective from Interpol heads the investigation and prepares a trap at an ... See full summary »
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier, alias "Scorpio", a gifted free-lance operative. One day, the CIA orders Scorpio to eliminate Cross -- and leaves him no choice but to obey. Scorpio is cold-blooded and very systematic; however, as a veteran agent, Cross knows many tricks. He can also rely upon a network of unusual personal contacts, some dating back to the troubled years preceding WWII. A lethal game of hide-and-seek is programmed, but what are the true motives of every single player? Written by
Eduardo Casais <email@example.com>
Bill Nagy who has a minor role in this died before the film came out. See more »
In the alley just prior to the rear-ending of the tail car the tail says "I can't see him, he must have got out and run" yet Cross' car's brake lights are clearly on, meaning somebody is in the car with their foot on the brake pedal. See more »
You're beautiful Jean, but sometimes you have the bad breath of priests.
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Amazing spy thriller with top-notch cast, dialogue, direction
Lancaster, Delon, and Scofield are amazing in this complex, character-driven spy thriller. For some reason, Winner's direction has come in for a lot of criticism, but I thought it was superb (at least here; haven't seen any of his other works). The big action sequence is beautifully shot, edited, and staged -- I liked it far better than "The French Connection"; indeed, "Black Sunday" is the only '70s thriller I've seen with better action. It's just so realistic!
The biggest flaw I can see is that the major action sequence is so exciting that all the stuff that comes after it can seem a bit dull and overextended by comparison. Still, it's good, thought-provoking material with a cynical Le Carre edge. Without spoiling the end, let's just say that whether or not you think it "works", it certainly has an emotional impact.
The supporting cast (Joanne Linville, John Colicos, J.D. Cannon, Frederick Jaeger, Shmuel Rodensky, et al.) is quite good, and the script (co-written by famed TV producer David Rintels) is filled with quotable dialogue and subtle bits that illuminate the characters, as well as clever pieces of "spy business" that feel authentic (whether or not they are).
Bottom line: One of the best films of its kind.
9 of 13 people found this review helpful.
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