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Scorpio (1973)

 -  Action | Drama | Thriller  -  19 April 1973 (USA)
6.5
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Ratings: 6.5/10 from 2,285 users  
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Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »

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Title: Scorpio (1973)

Scorpio (1973) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
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...
...
...
...
...
...
Sarah
Mel Stewart ...
Pick (as Melvin Stewart)
Vladek Sheybal ...
Zemetkin
Mary Maude ...
Anne
Jack Colvin ...
Thief
...
Harris
...
Morrison
...
Mitchell
Shmuel Rodensky ...
Lang
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Storyline

Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier, alias "Scorpio", a gifted free-lance operative. One day, the CIA orders Scorpio to eliminate Cross -- and leaves him no choice but to obey. Scorpio is cold-blooded and very systematic; however, as a veteran agent, Cross knows many tricks. He can also rely upon a network of unusual personal contacts, some dating back to the troubled years preceding WWII. A lethal game of hide-and-seek is programmed, but what are the true motives of every single player? Written by Eduardo Casais <casaise@acm.org>

Plot Summary | Add Synopsis

Taglines:

When Scorpio wants you... there is no place to hide!

Genres:

Action | Drama | Thriller

Certificate:

PG | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

19 April 1973 (USA)  »

Also Known As:

The Scorpio File  »

Box Office

Gross:

SEK 583,731 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Bill Nagy who has a minor role in this died before the film came out. See more »

Goofs

Lancaster disarms two agents by putting his car into reverse and slamming into their car in a narrow alley. Then he pulls forward and does it again. But on his second pass, there's a shot of the back of his car completely undamaged before it makes the second hit. (In that final shot, the car is damaged as it should be.) See more »

Quotes

Cross: You're beautiful Jean, but sometimes you have the bad breath of priests.
See more »

Connections

Referenced in School of the Holy Beast (1974) See more »

Soundtracks

Die Fledermaus
(uncredited)
Music by Johann Strauß
Arranged by Jerry Fielding
See more »

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User Reviews

 
Paranoia film that's pretty typical of the early 70s
5 April 2008 | by (Bradenton, Florida) – See all my reviews

In the 1960s, disenchantment among the Western populations led to the hippie movement and a new questioning of authority. Combining this with the Watergate scandal and you set the context for movies like SCORPIO and THREE DAYS OF THE CONDOR. Both films view our own government with great suspicion--particularly the CIA. Such films probably would NOT have been accepted by the public just a decade earlier, but in the 70s paranoia of this type was fashionable. So was the moral relativism that implied that the US and Soviet governments were pretty much the same.

In some ways, the plot to SCORPIO is pretty interesting--a CIA agent (Burt Lancaster) is perceived to be a double agent and is ordered to be killed. Oddly, Alain Delon, a Frenchman, is given this task but Lancaster seems too slippery and skilled to be easily taken. Unfortunately, after a while the film both becomes rather dull and is rather hard to believe. As one reviewer pointed out, the way that Lancaster and Scofield knew each other didn't really make sense, as an American serving with the Spanish Republicans would have been seen as an extreme leftist--not exactly a person you'd expect to later be in the CIA. Of course, this DID help the moral relativism being pushed in the film.

Aside from watching the acrobatic Lancaster do his own stunts and Scofield overact (in a fun way), this is a very low energy film--and you'd not expect this would be the case for an espionage thriller. It just seemed very detached and uninvolving. Overall, it's a passable film, but not one you should go out of your way to see.


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