Scener ur ett äktenskap
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Scenes from a Marriage (1973) More at IMDbPro »Scener ur ett äktenskap (original title)

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2012 | 2011 | 2010 | 2009 | 2007 | 2004 | 2003

11 items from 2012


Feel exorcised, psychoanalysed and pleasantly antagonised by ‘Scenes from a Marriage’

22 May 2012 10:04 PM, PDT | SoundOnSight | See recent SoundOnSight news »

Scenes from a Marriage

(299 minutes, 6 parts)

Directed by Ingmar Bergman

Written by Ingmar Bergman

1973, Sweden, Sk

It should be intuitive knowledge, that one’s ability to love is often captive to one’s ability to love themselves, to be happy with where they are, where they are going and where they might never end up despite every effort. And as much as love is a feeling, it is also an action, expressed through behaviour – at least this is how its existence is often ascertained; which is often where incongruity exists between one person’s feelings of genuine affection for another and the beloved-in-question’s own perception of these feelings as expressed by the lover’s actions. To complicate matters further, how does one’s own personal disappointments and failures and existential disquiet sour and poison these unspoken exchanges of love? In other words, what do you get when you have »

- Tope

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Ingmar Bergman/Liv Ullmann Documentary: Liv & Ingmar

20 April 2012 12:45 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Ingmar Bergman, Liv Ullmann Liv Ullmann and Ingmar Bergman are the subjects of former architect Dheeraj Akolkar's documentary Liv & Ingmar, produced by the Norwegian company NordicStories and to be distributed by Sweden's Svensk Filmindustri. After meeting in 1965, Ullmann and Bergman made ten (narrative) films together; they were also off-screen companions for five years. In Liv & Ingmar, Ullmann, 73, is shown spending a few days in Bergman's house on the Swedish island of Fårø. While there, she reminisces about their personal and professional relationships. That sounds fascinating enough. But what makes Liv & Ingmar even more intriguing is that Ullmann's recollections are interspersed with scenes from her Bergman films, which is supposed to show how their personal lives directly affected their professional collaboration. In that regard, Liv & Ingmar makes Ullmann and Bergman seem like Woody Allen and Mia Farrow, who went from The Purple of Rose of Cairo and Hannah and Her Sisters »

- Andre Soares

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Erland Josephson: Ingmar Bergman Actor Dies

29 February 2012 3:22 AM, PST | Alt Film Guide | See recent Alt Film Guide news »

Erland Josephson, The Sacrifice Erland Josephson, who was featured in more than a dozen Ingmar Bergman movies in addition to several plays directed by Bergman, died of complications from Parkinson's Disease on Feb. 25 in Stockholm. Josephson was 88. Even though most of Bergman's best-known players were women — Liv Ullmann, Bibi Andersson, Ingrid Thulin, Harriet Andersson, Ulla Jacobson — the director frequently worked with the same male actors as well. Max von Sydow, a Best Supporting Actor nominee this year for Stephen Daldry's Extremely Loud and Incredibly Close, is the only one to have become internationally renowned. But among Bergman's recurring collaborators were also the likes of Gunnar Björnstrand and the Stockholm-born stage actor Erland Josephson. Perhaps Josephson failed to become an international star because he played supporting roles in most of his Bergman films, while his few leads for the filmmaker were generally subordinate to the leading ladies' roles, e.g. »

- Andre Soares

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Erland Josephson, 1923 - 2012

29 February 2012 1:31 AM, PST | MUBI | See recent MUBI news »

"Swedish actor Erland Josephson, who collaborated with legendary film director Ingmar Bergman in more than 40 films and plays, has died," reports the AP. He was 88. "Josephson was born in Stockholm in 1923 and met Bergman while training as an amateur actor at 16. He appeared in several Bergman plays and films. He shot to international stardom with the role of Johan in Berman's film Scenes from a Marriage, in 1973. Josephson also starred in Andrey Tarkovskiy's films Nostalghia [1983] and The Sacrifice [1986]."

"It is Josephson's face which makes him so effective on film," reads his entry in the International Dictionary of Films and Filmmakers, "that bearlike aspect, his ability to look lost and forlorn, to convey a sense of suffering and bewilderment, in spite of his bluff exterior. Were one to repeat Kuleshov's famous experiment of the 1920s and to intercut the same shot of Josephson with images of joy, of sadness, of anger, »

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Obituary: Actor Erland Josephson, 1923-2012

27 February 2012 2:45 PM, PST | Disc Dish | See recent Disc Dish news »

Erland Josephson in 2006.

Erland Josephson, a sturdy and distinguished Swedish actor best known for his frequent collaborations with legendary film and theater director Ingmar Bergman (Smiles of a Summer Night), passed away on Saturday, February 25, at the age of 88.

Josephson, who died at a Stockholm hospital, had long been suffering from Parkinson’s disease, according to a spokeswoman from Sweden’s Royal Dramatic Theatre, where he had been the managing director from 1966 to 1975.

Born in 1923 in Stockhoom to a family deeply involved in the arts (his relatives included composers, painters and a theater director who had worked with playwright August Strinberg), Josephson never had any formal acting education. But that didn’t stop him from embarking on an frequent “dramatic” collaborations with Bergman, which began in the late 1930s when Bergman directed him in a municipal stage production of The Merchant of Venice in Gothenburg. Several years later, Josephson’s »

- Laurence

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Erland Josephson obituary

26 February 2012 4:06 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

Swedish actor known for his roles in Ingmar Bergman's films and television dramas

Although the actors who comprised Ingmar Bergman's repertory company all went on to make their own prestigious careers, they will for ever be associated with the great Swedish film and stage director. Erland Josephson, who has died aged 88 after suffering from Parkinson's disease, was artistically linked with Bergman even more than Max Von Sydow, Liv Ullmann and Ingrid Thulin. Josephson appeared in more than a dozen of Bergman's films, and played a Bergman surrogate in Ullmann's Faithless (2000).

In middle and old age, he was chosen by directors such as Andrei Tarkovsky and Theo Angelopoulos for the qualities he revealed in the Bergman films – a certain self-centred introspection and a deep melancholy, etched on his lined and grizzled features. Because he became a leading film actor in his 50s, he seems never to have been young. »

- Ronald Bergan

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Erland Josephson obituary

26 February 2012 4:06 PM, PST | The Guardian - TV News | See recent The Guardian - TV News news »

Swedish actor known for his roles in Ingmar Bergman's films and television dramas

Although the actors who comprised Ingmar Bergman's repertory company all went on to make their own prestigious careers, they will for ever be associated with the great Swedish film and stage director. Erland Josephson, who has died aged 88 after suffering from Parkinson's disease, was artistically linked with Bergman even more than Max Von Sydow, Liv Ullmann and Ingrid Thulin. Josephson appeared in more than a dozen of Bergman's films, and played a Bergman surrogate in Ullmann's Faithless (2000).

In middle and old age, he was chosen by directors such as Andrei Tarkovsky and Theo Angelopoulos for the qualities he revealed in the Bergman films – a certain self-centred introspection and a deep melancholy, etched on his lined and grizzled features. Because he became a leading film actor in his 50s, he seems never to have been young. »

- Ronald Bergan

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Ingmar Bergman's Favorite Actor Dies At 88

26 February 2012 6:27 AM, PST | Huffington Post | See recent Huffington Post news »

Stockholm -- Swedish actor Erland Josephson, who collaborated with legendary film director Ingmar Bergman in more than 40 films and plays, has died. He was 88.

The award-winning actor died at a Stockholm hospital on Saturday following a long battle against Parkinson's disease, said Royal Dramatic Theatre spokeswoman Christina Bjerkander.

Josephson was born into a family of artists and culture workers in Stockholm in 1923 and would become the actor who had the longest-running collaboration with Bergman. The two first met when Josephson was just 16 and participated as an amateur actor in the play "The Merchant of Venice," directed by Bergman.

Although he never had any formal acting education, Josephson continued to appear in several Bergman stage plays in the 1940s and 50s, and received a minor part in 1946 film "It Rains on Our Love." In the late 50s he played larger roles in Bergman's films "The Magician" and "Brink of Life," but »

- AP

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Nora – review

2 February 2012 4:05 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

Belgrade, Coventry

Torvald, an obnoxiously smug Scandinavian banker, has a large illuminated fish-tank as the focal point of his tastefully minimalist apartment. He also keeps a trophy wife who skips round the strange, cuboid furnishings with a kind of manic, manufactured glee that suggests she has rather less freedom of movement than the fish.

Nora is a 90-minute reduction of Ibsen's A Doll's House made by Ingmar Bergman in 1981. It was originally conceived as a stage trilogy exploring the gender war alongside Bergman's reworking of Strindberg's Miss Julie and his own Scenes from a Marriage.

Ibsen's play concluded, famously, with the door slam that reverberated around the world, yet the play's credibility relies on carefully measured narrative development. It also requires an understanding of its 19th-century context in which it is unthinkable for a woman to run up debts without the knowledge of her husband. Bergman's version is short and sharp, »

- Alfred Hickling

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‘Tuesday, After Christmas’ patient, affecting, and rewarding

8 January 2012 8:03 PM, PST | SoundOnSight | See recent SoundOnSight news »

Tuesday, After Christmas

Directed by Radu Muntean

Romania, 2010

Patient, affecting, and rewarding, Tuesday, After Christmas, is easily identifiable as an entrant into the Romanian New Wave.

Paul (Mimi Branescu) is in love with two women, his wife Adriana (Mirela Oprisor), also the mother of his daughter, and Raluca (Maria Popistasu), their younger, more attractive dentist. With Christmas rapidly approaching, Paul’s infidelity becomes more difficult to bear, to the extent that he must decide between the two.

This is kind of like Scenes from a Marriage were it to be crosscut with an unmade sequel Scenes from an Affair. Shot like most of the major films coming out of current Romania, Tuesday, After Christmas is high-key, with real-time scenes, and ordinary locations. Dealing with social situations but in a less gruesome, urgent manner than its peer 4 Months, 3 Weeks & 2 Days, Muntean’s film cuts infrequently. There is no coverage within a scene to speak of, »

- Neal Dhand

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Director Asghar Farhadi on The Breakout Success of ‘A Separation’

6 January 2012 10:00 AM, PST | Speakeasy/Wall Street Journal | See recent Speakeasy/Wall Street Journal news »

Getty Asghar Farhadi at the Toronto Film Festival in September.

In the opening scene of the new critically acclaimed Iranian film “A Separation,” a couple tries to persuade a judge to grant them a divorce. They each make a compelling case: The wife, Simin, thinks that their 11-year-old daughter, Termeh, will have a better life abroad, while the husband, Nader, wants to remain in Tehran to care for his dementia-stricken father. The camera is positioned from the judge’s point of view, »

- Rachel Dodes

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2012 | 2011 | 2010 | 2009 | 2007 | 2004 | 2003

11 items from 2012


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